A Quote by Henry Rollins
Most of the writers I like just intimidate and humble me but in that there's a good deal of inspiration to be had as well.
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We had the kind of team that didn't back down from anybody. If they wanted to intimidate us, we could intimidate as well as they could. Our team was too big and too good to intimidate.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
To me I don't deal with stress well at all, and it is stressful enough for me to deal with my own one character. So if I had to deal with all the characters and the special effects, and the editing and make the writing tweaks and do everything the director does, that would drive me to an early grave, and I just can't do it.
I'm my biggest inspiration. And I say this in the most humble way. I've been through so much, just in my life.
A muse is something that serves a poet well early in his or her career. In later years one writers out of one's own driven inspiration. One learns to find inspiration rather than waiting for it to come for a visit. I can find inspiration almost anywhere.
You just have to be very humble if America has really worked for you like it has for me. Most of my friends are poor. Most of my siblings are poor. I see how hard it is just to get money unless you've got some incredible luck or work incredibly hard. I want everyone to do well. I wish 'Wayne's World' money on you!
Daniel Boulud told me at a young age, 'Whatever happens to you in your career, you're going to be great - be humble. Just be humble.' And I think about that daily. Like, whatever happens to me, whatever awards we win as a team or whatever else, just be humble.
I can well imagine that certain writers, even writers that we'd consider today very great writers, may not necessarily have tested highly on IQ just because of their numerical skills, or maybe they may not be very good at memory, and are not particularly good at these kinds of tests.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
Most writers are in a state of gloom a good deal of the time; they need perpetual reassurance.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
I had writers block for months afterwards because I was just so taken aback by all of the sounds I was hearing. It's almost like hearing the most beautiful music you've ever heard, so you're like, "What's the point of me making anything?" It was this living sonic organism so the idea of recording something just seemed like taking this living thing and mummifying it.
Mystery writers' conventions are usually good, and this one has been excellent and extremely well prepared and thought out in advance. A lot of people have given their time and their skill, and a good deal of wit, and Anchorage has made us extraordinarily welcome.
The woman had a humble, cringing manner. Of course, she had discovered that, having neither money nor virtue, she had better be humble if she knew what was good for her.
It was really hard for them to intimidate me. They felt I was intimidating. One of the growers had a name for me: I think it was 'dragon lady' or something like it.
I just kind of talk about what's happening in my life and it's kind of like a therapy session. Usually something good comes out of that. Or sometimes other writers will come to me with ideas and then I'll put my own spin on it. It's usually really collaborative and open and it's very therapeutic for me as well.
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