A Quote by Henry Rollins
'SMiLE' is perhaps the Beach Boys' most legendary album. It was recorded in 1966 and 1967 but only saw a formal release in 2011. That's a long time to wait for what was said to be Brian Wilson's masterpiece.
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I did not fire Brian Wilson from the Beach Boys. I cannot fire Brian Wilson from the Beach Boys. I am not his employer. I do not have such authority. And even if I did, I would never fire Brian Wilson from the Beach Boys. I love Brian Wilson. We are partners. He’s my cousin by birth and my brother in music.
I did not fire Brian Wilson from the Beach Boys. I cannot fire Brian Wilson from the Beach Boys. I am not his employer. I do not have such authority. And even if I did, I would never fire Brian Wilson from the Beach Boys. I love Brian Wilson. We are partners. He's my cousin by birth and my brother in music.
I cannot fire Brian Wilson from the Beach Boys. I am not his employer. I do not have such authority. And even if I did, I would never fire Brian Wilson from the Beach Boys. I love Brian Wilson. We are partners. He's my cousin by birth and my brother in music.
The original Beach Boys are Brian, Dennis and Carl Wilson, Mike Love, and Alan Jardine.
I make music that surfers dig, but, like Brian Wilson in the Beach Boys, I'm the dude who never gets on the board.
In 1966 I recorded my first bolero album. I was about 18 years old then and I recorded it because I wanted my parents to know that I hadn't lost my identity of being Latino.
Bob Dylan has always sealed his decisions with the unexplainable. His motives for withholding the release of the magnificent 'Basement Tapes' will be as forever obscure as Brian Wilson's reasons for the destruction of the tapes for 'Smile.'
Having Brian Wilson sing on my album was an unforgettable experience.
Judged by the stark, sure-footed portrait in Hard Time, Brian Azzarello and Richard Corben clearly have John Constantine down, cold and to the life. Azzarellos grasp of pacing, character and situation resonates through every scene with a black crystal clarity thats short of masterful, while Corben contributes what is, perhaps, one of the most darkly expressive pieces in a long, already-legendary career.
I would like to work with Paul McCartney in the future. Or Brian Seltzer. But I guess like, like I said - I'm into The Strokes, like Ben Folds, Eliot Smith, the Beatles are my favorite, the Beach Boys, Queen.
The name 'The Beach Boys' is controlled by Brother Records Inc., which was founded by the original members of the Beach Boys and whose sole shareholders voted over a decade ago to grant me an exclusive license to tour as 'The Beach Boys.' With it, I've felt a great responsibility to uphold, honor and further our legacy.
I was with Brian De Palma at the time, and he said he wrote the role specifically for me. I don't know what that says about the way he saw me, since the role was of a castrating killer. Brian came one morning to the house, said "Here's your Christmas present." He wrote the character to have a Swedish accent, but since I couldn't pull that off, he switched it to French-Canadian. It was such a romantic time in my life. Everyone was young and passionate and convinced they were going to change film forever.
With our last album ("No Time To Bleed"), we recorded most of it in New Jersey. And with being on the road 9 months a year, recording an album on the other side of the country- it just wasn't a good experience for us. All I wanted to do was go home and see my daughter, so for us to only be a couple hours away was huge- I could go home if I needed to.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
My grandfather was Bob Shad, one of those legendary jazz and blues producers - he worked with Charlie Parker and Dinah Washington, and he produced Janis Joplin's album [1967's Big Brother & the Holding Company]. He always owned small labels as well - he had a label called Mainstream Records in the 70s.
I saw Stephen Sondheim's Sweeney Todd, which I thought was a masterpiece. Not that long ago, I listened to Blackstar by David Bowie and thought that was a masterpiece. Those are two incredibly talented people who've left their mark with us.
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