A Quote by Henry Rollins

If I had to live my life in anticipation of what others thought of me, little would get done. — © Henry Rollins
If I had to live my life in anticipation of what others thought of me, little would get done.
I was sitting at home and had a profound experience. I experienced, in all of my Being, that someday I was going to die, and it wouldn't be like it had been happening, almost dying but somehow staying alive, but I would just die! And two things would happen right before I died: I would regret my entire life; I would want to live it over again. This terrified me. The thought that I would live my entire life, look at it and realize I blew it forced me to do something with my life.
I thought, it's a shame that we have to live, but it's a tragedy that we get to live only one life, because if I'd had two lives, I would have spent one of them with her.
Before I had my first child, I never really looked forward in anticipation to the future. As I watched my son grow and learn, I began to imagine the world this generation of children would live in. I thought of the children they would have, and of their children. I felt connected to life both before my time and beyond it. Children are our link to future generations that we will never see.
At that time, I often thought that if I had had to live in the trunk of a dead tree, with nothing to do but look up at the sky flowing overhead, little by little I would have gotten used to it.
I thought it would be really cool to show the world the inner life of someone like me, who doesn't have a huge personality, who deals with some personal demons and is a little bit shy and a little awkward when you first get to know me.
I have loved my work, I have loved people and my play, but always I have been uplifted by the thought that what I have done well will live long and justify my life, that what I have done ill or never finished can now be handed on to others for endless days to be finished, perhaps better than I could have done.
I am not going to complain about the life I've had so far. In Africa, there are people that live in more difficult situations. I've had the luck of having parents who work and have helped me out, they've done everything possible for me to get here.
We don't live in a jazz world, unfortunately. I think if I had lived in a jazz world, I would have done OK. I'm not sure I would have done great. I'm a lover of jazz music, so I would have been happy, don't get me wrong. I go to jazz concerts like the biggest jazz fan in world. The drag is that I don't play jazz for a living.
There was a long time in my life where I made music that I thought my friends would like, or that I thought would get me a record deal, or what I thought I was supposed to make because that's what I was seeing in mainstream. I didn't know myself; I didn't find myself musically or, in real life.
When I was a little kid, all I wanted to do was to escape what I thought was the country and get to a city. Probably film and television had influenced me so much, I really thought the key to happiness was living a very artificial life in a penthouse in New York with martini glasses.
From their point of view, I had gone too far. I had to disappear. That is to say, if the Algerian army had not overthrown me, others would have done so.
I did it because I thought I could die quickly if I lived like that. I couldn't end my life, leaving behind my younger sister. I thought that if I lived that way I would get punished and end this crappy life early. But now I want to live. Because I have a reason to live.
I never considered myself a good photographer. I still don't. I thought of myself as a hard worker. My camera was a sponge and I had an instinct that athletes have - anticipation. Photography really represents an enormous amount of anticipation - understanding what might be there the next moment and being prepared for it.
When I met Raj Kundra for the first time, I thought my whole life would change. I thought I'd get big breaks. I never thought Shilpa Shetty's husband would make me do wrong things.
For me, the first thing I fell madly in love with when I was little, was, Gilda Radner had this live performance that she had done at the Met that was on tape, and I could rent it from Video Video in New Jersey where I lived, and so I literally would rent it every two weeks.
I have big dreams, but if God would've told me that I had to sing in a local bar in Barcelona, and that that would be my life, that would be my life, I would've done it with the same passion.
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