A Quote by Henry Rollins

I once asked Ozzy Osbourne, truly one of my favorite people in the world, if he was cool with singing Black Sabbath songs year after year, whether he was performing with Black Sabbath or out on a solo tour. He said it was great.
I think it would be fun to play a young Ozzy Osbourne in a movie about the formation of Black Sabbath.
There’s one thing about Black Sabbath which should not be understated: If Black Sabbath is missing any one of its members it’s no longer Black Sabbath.
When we did 'Air Dance,' I thought we were actually quite courageous doing that because it's not necessarily quote-unquote a Black Sabbath song. But I don't give a damn about that because it is part of Black Sabbath; it is a Black Sabbath song.
I've often said that with Black Sabbath you ought to have put a lasso around the sound and pulled it in. That's the best way to record Black Sabbath.
There are some pop songs I hate but I can't get them out of my head. Our songs also have the standard pop format: Verse, chorus, verse, chorus, solo, bad solo. All in all, I think we sound like The Knack and the Bay City Rollers being molested by Black Flag and Black Sabbath.
You listen to Black Sabbath with Ronnie James Dio in it, and it's not Black Sabbath. They should have just called it 'Heaven and Hell' right from the beginning. Because you listen to that 'Heaven and Hell' album, that doesn't sound anything close to Black Sabbath.
How could I resist? Look, I love that record and have nothing but great, great memories of my time with BLACK SABBATH . Tony was really busy but got his solos to me at the last minute as he promised and they are just fantastic. I think BLACK SABBATH fans will be over the moon when they hear what he's done. As for Roger and Ian , well, they just sound great on this song so it really did become 'Black Purple'. Personally, I love the irony of it all.
Everybody knows that Black Sabbath started everything and almost every single thing that people are playing today has already been done by Black Sabbath. They wrote every single good riff... ever.
Obviously [Black] Sabbath is definitely a huge name and of course deserving with Ozzy coming back.
Jesus once caused a sick man to arise on the Sabbath and take up his bed, whereupon the pious of the land raised a great outcry. But Jesus answered with superior contempt that the Sabbath was there for the sake of man, not man for the sake of the Sabbath; consequently, man was also master over the Sabbath.
Most bands play one style of song. If you listen to Metallica it all sounds exactly like Metallica, and if you listen to Black Sabbath it all sounds like Black Sabbath. I like AC/DC a lot but you can pick those sounds out on the radio in a heartbeat because they all have certain things in common.
I get to play what I'm feeling on my solo records, and I get to bang the hell out of a drum kit in Black Sabbath.
I'm not one of these guys to do my solo stuff one night and Black Sabbath the next. I can't do that, you know. It's too much to handle.
When I had to make a decision whether or not an activity was appropriate for the Sabbath, I simply asked myself, 'What sign do I want to give to God?' That question made my choices about the Sabbath day crystal clear.
I made the decision back in 1984 to never play with Black Sabbath unless it was the original line-up. And I stuck to it for quite a long time. A lot of that was about honoring Ozzy.
I started getting seriously into music when I was a kid. 1978 was my big year. It just hit home. That was before real metal. There was Black Sabbath and that kind of stuff, but the real underground, hard stuff wasn't even around yet. It was cool to watch that happen and latch onto the next edge of things every time that progression happened.
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