A Quote by Henry Rollins
I can deal with people who watch me on stage but I am not good in communicating with people any other way than through my work.
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I went through that stage every teenager goes through: Who am I? What am I? Where do I fit in? In my case I had to deal with newspapers saying I looked fat or tired or my hair was a mess. People always criticize: they either love you, or they don't. But you have to block that out and concentrate on the work. And I feel I am doing good work, and I'm finally getting to see who I really am.
I'm very proud of the work I do, but I genuinely can't involve myself with an audience as early as somebody who's not part of the film can. So there's that side of theater that appeals to me, where you give something and the response to what you've created is a communion between you and the dark that contains however many people. It's thrilling not having a reflection other than through the people you're communicating with. But people ask, "What do you prefer?" and I don't have a preference. I love them both. I really do.
I deal in a very artistic way of what interests me and marks my passion, and I try to - whether its good or not - am in love with acting and the stage and characters and the ability to reach and to touch people, so that's where, I guess, that's where my heart will reside, by and large.
To me it's a two-way street. They're good to me, and I'm good to them. It's a natural thing for me to love people, and I think people sense it. ... I am secure with the kind of person I am. I don't feel like I'm better than anyone, but I'm just as good as anyone.
We have more information - a glut of information - than ever before, and perhaps less knowledge. That's what's peculiar. And the only way you can deal with it, I suppose, is to make fun of it. I would rather watch Comedy Central for the news than I'd like to watch any other program on television. Maybe that shows you the state of affairs.
I collect people's experiences. I feel that I build myself not only on my experience, but on other people's. That's important to me. I like to work with people who are better at what they do than I am. I like to work with people who are willing to share.
More than any other factor, it is the people we have to deal with that determine the quality of our work lives.
I been seeing other people work with Belaire like DJ Khaled, Rick Ross, and stuff like that. But other than that, I just wanted to work with them because they showed me mad love and were genuine when we were locking in the deal. For me, it had to make sense and be genuine, and this partnership definitely felt that way.
I think it's the essence of any film and any stage production - any work where you do work with other people - of course collaboration is hugely important. One does, for awhile, become family.
I think it's the essence of any film and any stage production - any work where you do work with other people - of course collaboration is hugely important. One does for awhile become family.
There are always going to be jerks in the world . . . [but] there are more good people on this earth than bad people, and the good people watch out for each other and take care of each other.
My singing - it's who I am, it's all of me and it's my soul. The self expression of using your vocal equipment is not only physical and spiritual, but it's something you can't explain. It's your heart and soul together. Yes, I enjoy acting, but I portray other people. But when I sing, it's just me on that stage, communicating how I feel, how I think and what I believe.
I don't mind making a fool of myself. I felt like people would be accepting of that because, to me, that seems like an interesting way to do a show. I've always thought that it's interesting to watch people work things out on stage.
I feel fortunate that I've had a lot of songs recorded by other people, because I take my songwriting very seriously. It's only those people that have followed me over the years and really know my work that know how serious I am about all of it - including the way I look. You can't take my high heels from me, you can't have my long fingernails, you can't take all this hair from me, because it's part of this thing that I've become. I wouldn't want to give any of it up. Do I have to be ugly to be a songwriter? This is the way I am, and it's what I choose to be.
Why are CEO's who slash jobs so proud of themselves? Instead of bragging about 'cutting fat,' they ought to be getting up before their employees and saying, We did such a lousy job of planning and hiring that we have more people than work. And we are so broke and so dim-witted that we can't come up with any way to get more work. So our only solution is to send a lot of good people home. I am ashamed and I am sorry.
Examining other people's motivations, other people's language and other people's way of interacting is much more fascinating to me than spending a lot of time worrying about my own. I've said, 'What other people think of me is none of my business.'
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