A Quote by Henry Rollins

I know I was a generic dysfunctional child, but I think a lot of people are. — © Henry Rollins
I know I was a generic dysfunctional child, but I think a lot of people are.
'Chels-emojis' are in the works. I use emojis heavily in life, and I think a lot of people do. There are a number that are frustratingly absent - you know how there's kind of a generic white man and a generic white woman? I just want to put a generic black man and a generic black woman.
As a child, I was always playing some generic child.
People who come from dysfunctional families are not destined for a dysfunctional life.
People have accused me of only working with good companies. No I don't. I work with some very dysfunctional companies or unbelievably dysfunctional organizations. The people that bring me in know what they're doing won't work for the future. They know they want to change and they want to change for the right reasons. They believe what I believe and that's why they called me.
I feel like a lot of the films I do, part of the reason I like doing them is I'm not 100 percent sure what it's going to be. It's exciting. I read an equal amount of very generic scripts, and you kind of know exactly what those are and that doesn't whet my appetite. I already know what it is or I already know what the character is. It's just a lot harder to get interested.
Nobody would seriously describe a tiny child as a Marxist child or an Anarchist child or a Post-modernist child. Yet children are routinely labelled with the religion of their parents. We need to encourage people to think carefully before labelling any child too young to know their own opinions and our adverts will help to do that.
There's an awful lot about our criminal justice system that is dysfunctional. Everyone who sets foot in a criminal courtroom will see myriad ways the system is dysfunctional.
I think what Laura Linney was saying about teaching her all the lessons as a child actor, right, that's a whole ball of wax. That's a really mixed bag of stuff. I look at so many people that I knew personally or didn't know personally but who have ended badly, have died young, have been destitute - there are a lot of bad child-actor-gone-wrong stories, a very high percentage, but I think the thing about it is that a lot of those are Hollywood stories, and you don't have that same kind of a thing in the theater.
I think a lot of people have a problem with the fact that I've adopted an African child, a child who has a different color skin than I do.
Everyone is talking about sustainability and resilience, yet all that knowledge is thrown in the bin. [Lagos is] a unique case, but also a test case. It's unbelievably unique, but also it's now considered with a number of really generic opinions, generic solution, generic expectations.
While I was writing the book, one of my children was diagnosed with dyslexia. Dyslexia is a very tiny word for a wide-ranging neurological condition that affects different people in different ways. But I was reading an awful lot about it, to try and find ways of helping my child. I think a lot of fiction comes from this desire to confront unanswerable questions, and it's heartbreaking to see your child, a bright child, struggling so much with something that others are finding so easy. It's such an assault to the child's self-esteem and, as a mother, it's hard to watch.
The Law of the Generic: One of the fastest routes to failure is giving a brand a generic name.
You know, you have a lot of people - I've met a lot of people in the past, I've gone to private schools, you know, encountered different people who think that it's OK to make comments, insensitive comments about your race because they're joking. And think that if they're joking and they say it, you know, good-naturedly, that things will fly.
I play a guy who believes he's a king. He's the most common man in the world; in fact his family, like his suits, are just make-up. It's about dysfunctional people and dysfunctional relationships.
I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.
The whole educational and professional training system is a very elaborate filter, which just weeds out people who are too independent, and who think for themselves, and who don't know how to be submissive, and so on -- because they're dysfunctional to the institutions.
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