A Quote by Henry Rollins

Everyone who knows me knows that I'm a hopeless romantic who listens to love ballads and doo-wop songs all the time. — © Henry Rollins
Everyone who knows me knows that I'm a hopeless romantic who listens to love ballads and doo-wop songs all the time.
The first time I recorded without Allen Toussaint, I wanted to do doo-wop. Everything I've done since then has got some kind of doo-wop essence in it.
'Doo-wop' is a very special word for me. Because I grew up listening to my dad who, as a Fifties rock & roll head, loved doo-wop music.
I did have my beginnings in doo-wop music; I had a group called the Tokens in Brooklyn. They went on, of course, to do 'The Lion Sleeps Tonight' and a lot of other great things. I went on as a soloist. But I still love doo-wop music.
I was singing doo-wop on the corner under the streetlight with four other guys when it wasn't called doo-wop. We just got together and sang, so that music is inside of me. It's a lot of stuff that has been rolling around in here and becoming this compost and has made me who I am as a singer.
Doo-wop is the true music to me, man. Doo-wop was what nurtured me and grew me into who I am, and I guess even when I was in school, the teacher probably thought I had ADD or something every day, because I'd be beating on the desks, singing like the Flamingos or the Spaniels or Clyde McPhatter or somebody.
I've been into every doo-wop there is. I think I went to the university of doo-wop-ology.
I could sing you a thousand and one doo-wop songs. I love the simplicity in that music. It's not super-poetic, it's just from the heart.
Men are four; He who knows and knows not that he knows. He is asleep; wake him. He who knows not and knows not that he knows not. He is a fool; shun him. He who knows not and knows that he knows not. He is a child; teach him. He who knows and knows that he knows. He is a king; follow him. The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.
There are four types of men in this world: 1. The man who knows, and knows that he knows; he is wise, so consult him. 2. The man who knows, but doesn't know that he knows; help him not forget what he knows. 3. The man who knows not, and knows that he knows not; teach him. 4. Finally, there is the man who knows not but pretends that he knows; he is a fool, so avoid him.
I used to listen to so much doo-wop, and I've talked a lot about gospel music, but I realised a lot of that language came from doo-wop music. You know, "I Asked the Lord Above," "Heaven Sent Me an Angel." That's rock-'n-roll, and that's where a lot of this language is coming from. Also, I've said before that as soon as you start having a conversation with Jesus in a song you know you're dealing with issues of morality and how fragile it is to be human. It's a shortcut to putting those ideas across.
Sit here long enough you get to know everything. You listen, see ?" She taps the side of her head. "Nobody listens any more. Everyone knows what they want to hear, but nobody actually listens.
When I was on the bestseller list with the first book, everyone who knows me knows that every week it continued to be on the list was a very dark week for me. Everyone knows that all I wanted was to be off that list.
Doo-wop was full of blues for me.
The gospel music and doo-wop is what has informed me personally.
Everyone knows that a lot of memoirs have made-up scenes; it's obvious. And everyone knows that half the time at least fictions contain literal autobiographical truths. So how do we decide what's what, and does it even matter?
I'm quite into fitness, and I have a fantastic personal trainer who knows me, knows my body, knows when to push me, and knows when not to push me. She doesn't make me do 20 burpees in a row and instead focuses on strengthening my core, telling me we need to focus on making me into 'a tall giraffe'!
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