A Quote by Henry Rollins

Having an identity is one thing. Being born into an identity is quite a different matter. — © Henry Rollins
Having an identity is one thing. Being born into an identity is quite a different matter.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
Why would one's identity be a matter of feelings? I think that that's a misuse of terms, philosophically. Identity is mind independent. It's something that is objective, regardless of how you feel. So, the term gender identity seems to me to be something of an oxymoron. It's not really about one's identity. It's rather a matter of one's self-perception or one's feelings about oneself.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
The thing that keeps me being a performer is my interest in society's obsession with identity, because I'm not sure that I really believe identity exists.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
Each human being has his or her own sexual identity and should be able to exercise that identity without guilt as long as they do not force that sexual identity on others.
We are undermining a generation's happiness by depriving them of national identity, religious identity, and gender identity
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
When folks say 'identity politics' don't matter, it simply reinforces the norm of a white, middle-class, cis narrative and further marginalizes the rest of us who don't share that identity.
The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
We, black British, were searching - as the first generation that was born and raised here - for our own identity. We already knew what the Caribbean thing was about. We grew up with the racial tension and unrest. They were either touching your head for good luck or kicking you down the stairs for being too dark. But that was part and parcel of how we grew up in London. But in terms of our identity, it was more about us claiming it y'know?
I am a writer and always was; being a writer is an integral part of my identity. Being published, being well regarded, is a component of that identity.
If a man has a sense of identity that does not depend on being shored up by someone else, it cannot be eroded by someone else. If a woman has a sense of identity that does not depend on finding that identity in someone else, she cannot lose her identity in someone else. And so we return to the central fact: it is necessary to be.
When I was a child in the 1940s and early 1950s, my parents and grandparents spoke of Britain as home, and New Zealand had this strong sense of identity and coherence as being part of the commonwealth and a the identity of its people as being British.
I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.
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