A Quote by Henry Rollins
When the movie comes out, what anybody thinks of it doesn't really matter to me. I don't go to the wrap party. I don't go to the premiere.
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Trump, no matter what anybody thinks of him, is interesting. And Trump, no matter what anybody thinks of him, is funny. Trump, no matter what anybody thinks of him, is different. Trump, no matter what anybody thinks of him, is drama. Trump, no matter what anybody thinks of him, is unpredictable. All of that means, you can't miss it.
It has absolutely no meaning to me to be an executive producer on a film that I have nothing to do with except come to the wrap party or the premiere on; it's just meaningless.
When the premiere of the show came out, we threw a big party, and, like, five minutes into the party, me and Corey walked out of the party and said... 'No one's ever gonna watch this.'
The truth of the matter is - when we look at things - every movie we do - no matter what the subject matter is - we go to the universal theme of family. We always go to that because if the movie is about family, then any audience can relate to it.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
Everybody thinks that touring is really glamourous, but I pretty much sit in a room all day. I have a sort of office where I do emails, and I go for a run, and then at the end of the night, I go to bed. It's not like some crazy party.
I don't think it matters what the frequency is of me writing or directing a movie. It doesn't really matter to anybody else. I'm just trying to put good things out there.
I think when I start out writing, I always try to write the version of the movie that I want to go see. I don't mean it in a way that ignores the audience, but I really set out to make a movie that I want to see and that, hopefully, other people will want to go see it. So whatever's amusing to me, I guess, I throw it all in there.
There are times when I will dress up, like tonight for the premiere, but there are times when it doesn't matter. It's not that I think it's fake, but I'm not going to go out of my way to be something that I'm not.
I never want movie theaters go away. It is the greatest time out on the town. You go out, it's a great place to go, great location, great hang, great date, good place to be with friends. But as an actor who works hard at making movies, I am glad that no matter what people can see your movie on. It's hard to keep a theater for long time; there are so many movies, so when you leave a theater, you're just glad there's a life for your movie.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
I like doing firsts and 'Love per Square Foot' will be the first ever Indian movie to premiere on a digital platform. Netflix saw the movie, loved it and proposed that we premiere it with them.
Do you want to talk about matches that matter? Randy Orton can go out there, John Cena can go out there, AJ Styles can go out there and put together matches that matter and not have to do silly dives because they don't know how to work.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, oh!, and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, "oh!", and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.
I can go to my premiere at the Chinese Theatre, and everyone will know me, and everyone will cater to me. And then I'll go to an audition and get rejected left, right and centre. They don't watch my videos, and they don't really know who I am. It is like starting from scratch when it comes to traditional Hollywood.
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