A Quote by Henry Rollins

You don't have to twist my arm to work. — © Henry Rollins
You don't have to twist my arm to work.

Quote Topics

They don't allow a lot of stalling in college, but that's a contradiction, because at the same time they give points for riding the tar out of a guy. And it's too soft on what moves you can use. If you start to twist an arm, it's illegal, if you twist a leg it's illegal. There's no way you can turn a good wrestler over without some pain.
You see it in the many bouncing clothes that are not just pleats. To make them, two or three people twist them - twist, twist, twist the pleats, sometimes three or four persons twist together and put it all in the machine to cook it.
You can't twist Al Sharpton's arm.
It's basically me saying to the industry that I won't work within the walls in hip-hop. I want to put a twist on things, and that's what that song is all about. It's about putting a twist on stereotypes.
Yes, I see the Mobile Base System really is the shoulder of the arm. The arm is right there, like a human arm. It's really funny to look at the similarities between a human arm and the Canadian robotics arm.
I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta’s eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock. “Let me go!” I snarl at him, trying to wrest my arm from his grasp. “I can’t,” he says.
There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.
Prayer is not trying to twist God’s arm to make Him do something. Prayer is receiving by faith what He has already done!
I would never, for the sake of the story or a twist, have a character do something that they just wouldn't do. I really couldn't. I'd rather miss out on the twist.
If you are not progressing along the true way, a slight twist in the mind can become a major twist. This must be pondered well.
Whenever two guys got together, you asked, 'What body part would you like to work?' In my case, it was the arm. Most guys wanted to feed me for that arm drag. We always believed in storytelling, so if I had the arm, the heel would get away for a moment - or heel his way away - and then I would get back to it.
In particular, this arm has 7 degrees-of-freedom that makes the overall motion of the arm very complex so that, before you start driving the arm, you should be very familiar with all the position it can get.
Back in the days of world wars, American companies didn't think twice about pitching in to help fight the enemy. Car companies helped bolster tanks, food companies created rations - sometimes they had to do it, but no one had to twist their arm.
I don't get the airplay that one in my position deserves. 'Twist and Shout' gets more airplay than 'The Twist,' and that's not right.
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
If an optimist had his left arm chewed off by an alligator, he might say in a pleasant and hopeful voice, "Well this isn't too bad, I don't have a left arm anymore but at least nobody will ever ask me if I'm left-handed or right-handed," but most of us would say something more along the lines of, "Aaaaaa! My arm! My arm!"
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