A Quote by Henry Rollins
As a young person, I was on the road playing music, so I was getting new environments shoved in my face whether I wanted them or not.
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Music doesn't really require whether the person's a young person or old person for whatever kind of music it is.
Even if I was playing the keyboard in an orchestra, or a radio jockey playing music at an FM station, I would have been the happiest person. So, for me, all this... being a music composer and getting appreciated for my craft... it is a bonus. It is God's gift.
We never educate directly, but indirectly by means of the environment. Whether we permit chance environments to do the work, or whether we design environments for the purpose makes a great difference.
I'm happy that I'm finally getting some lines in my face. I always looked too young for the kind of roles I wanted. It was constraining. My face didn't fit my innards until I reached 40.
I had a series of mini-breakdowns where the public persona - this thing, this face, this person who writes this music... I would walk past that person in the mirror or listen to that person playing guitar and I didn't know who they were.
We wanted to establish a new fan base over here. And second, we wanted to challenge ourselves. We wanted to bring what is ostensibly new music to fresh ears and see what lights them up.
Getting back in the directors chair - there's a sense of like doing something every year. It's not like riding a bike, you're always learning new things, you're gonna face new challenges and when you face new challenges you'll have an answer for them.
I never wanted to be that fad type of artist. When I looked up to artists, watching TV, I wanted to see somebody. I wanted to touch that person. I wanted to sound like them. I wanted to move like them. That' s what I want my fans to do. So that's why, everything that I do, the music I make, how I dress, it's all based off my lifestyle.
I find that so many of my peers of my age don't listen to anything new. But I love the new. I love the energy of the new, the energy of the new act. The young are so important. The young give you the energy, and if you don't notice the young, and you don't give them credit and you don't listen to all sorts of music, then you're missing out on something.
You know when I started playing music as a young man I felt the need to be noticed and to prove myself. My motivation is much different now but what's still left is the love of music and the joy of entertaining people- the feeling that I make a difference, giving something back rather than just taking. Every year or two I come out with new music, or new arrangements of old music which keeps my show fresh.
Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me; I just liked playing them.
The question is not whether a doctrine is beautiful but whether it is true. When we wish to go to a place, we do not ask whether the road leads through a pretty country, but whether it is the right road.
You have to have passion for anything you do. Whether it's sports, whether it's music, whether you want to be Mother Theresa, you have to have passion for what it is you do, or what's the point in getting up in the morning and getting out of bed?
I started playing music when I was 18. My heart was just broken so badly that I decided that I really wanted to start playing music. It felt like the only thing that I could do in response to that. And I've been playing ever since.
I realized I couldn't get bookings as a performing artist on the road, as it were, I could not make a living in music without going on the road, but I couldn't get booked without a new product. People say, "Where's your new album?" Well, I have no new album, and I'm not going to have a new album. They said, "What are you doing?" I'm performing music that I've done my entire life that I've never performed, and I'm promoting material that I haven't promoted.
You see, pops, that's the kind of talk that's ruining the music. Everyone's trying to do something new, no one trying to learn the fundamentals first. All them young cats playing their wierd chords. And what happens? No one's working.
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