A Quote by Henry Rollins
I'm a big fan of the American Tapes label. But that's very hard to keep a grip on that because you blink your eyes and they've released three records, all of which are limited edition, all sold at one show. So you have to follow in drips and drops on eBay, which I do.
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I keep growing my fan base. My last project 'Heartless' sold more mixtapes than some big artists on major label albums.
Grip pressure - not mechanical flaws - is the biggest factor when you're nervous. You unconsciously grip it tighter, which keeps you from making a smooth swing with a natural release. Keep your grip pressure light, and you'll be surprised how much your mechanics stabilize.
I did parallel entrepreneurship, which was very hard to do. It was hard to keep your head straight and know which ideas were with which company.
The copies of The Catcher In The Rye or To Kill A Mockingbird that I own look like they were printed yesterday, and there's not a nick, not a blur, there's not any fading on the jacket at all, because they were taken and protected. A limited edition, by nature, is limited, and also probably more protected because of that. I'd rather have a first trade edition than a special one of 25 that was made years later, even if it's signed by the author. The trade edition is the Holy Grail.
Focused, hard work is the real key to success. Keep your eyes on the goal, and just keep taking the next step towards completing it. If you aren't sure which way to do something, do it both ways and see which works better.
If you sold a million records, the only way you could be disappointed is if the guy down the street sold seven million. But you've got to start dodging bullets once you've sold that many records, because everybody wants to kill you. We're not in that position. We can still be very successful and not have to worry about wearing bulletproof vests.
I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.
I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
I've been doing instrumental records now for a long time and built up this little fan base, which is worldwide, and it's incredible how big it's gotten. People really enjoy these records.
All roads lead to 'American Pie.' 'As American as apple pie' was the saying. It was some kind of a big American song that I wanted to write, which would be a conclusion for my show and bring all the songs home, which it still does. I can go anywhere I want with American music and come home to that. And it all makes sense.
I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.
We didn't have that big-label push. We weren't the kind of band that our label Warner Bros. Records was going to throw all this money at. Their idea was to support us on the road and see what happens. It was a very slow building process.
The style I have in judo is very unique... One big advantage a judo player has is they have very good posture and - like, wrestlers, they show when they're about to do a take-down... which judo players don't, and so I kind of incorporate the boxing style with a judo grip and finishing that way.
Some of the best things that I ever sold on Ebay, I bought on Ebay - just for way less.
'Teen Wolf' has such a die-hard fan base, which we're all so grateful for. It's amazing to have that kind of support because, without the fans, we wouldn't have this show.
I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
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