A Quote by Henry Rollins
When you have to work with and exist amongst cynical, burned-out personnel on a set, it doesn't matter what you're shooting or how much you're being paid - it's not worth it.
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No matter what you set out to do and how you set out to do it, you ultimately have to be who you are, and who you are as that character. So, I paid as much homage as I could to what Michael Clarke did, and had to rely on my own gifts to guide me through it.
Amongst my friends, I am known as the most cynical person they know - I'm incredibly cynical. I don't believe in God, I don't believe in the supernatural, I don't believe in anything! And I'm terribly cynical, and somehow or other, all three of my films and much of my television work has been rather sentimental, and 'heartwarming'.
Nevertheless, no matter how much they killed themselves with work, no matter how much money they eked out, and no matter how many schemes they thought of, their guardian angels were asleep with fatigue while they put in coins and took them out trying to get just enough to live with.
The love we'd shared always burned within me, no matter how often I told myself to move on, no matter how much the world did think I'd moved on.
I don't really think about the personnel too much, I don't have a desired matchup, I just like going out and playing football. I treat everybody the same when I get out there. It doesn't matter if it's Deion Sanders or if it's an undrafted rookie, I'm going to try to go out there and give them work all day.
You don't stick a knife in a man's back nine inches and then pull it out six inches and say you're making progress ... No matter how much respect, no matter how much recognition, whites show towards me, as far as I am concerned, as long as it is not shown to everyone of our people in this country, it doesn't exist for me.
I've hit a point where my big luxury is getting to work on the things I want to work on. That's my hobby. It's being able to do a movie like 'Chef,' where you don't get paid, where you get paid scale, but you get to do exactly the movie you want to do. To me, that's worth more to me than whatever money I would have gotten paid.
So my life and the life of my family has been completely disrupted in absolutely every way. But it's been worth it. It's uncovered a vast cesspool of illegitimate economic and political power in which the Church is immersed right up to its ears, and I intend to dive in headfirst and pull it out of there dripping wet for all the world to see -- no matter how long it takes, no matter whose feet get stepped on in the process, no matter how much it costs, no matter how great the personal sacrifice.
It don't matter how many rallies or protests I go to. It don't matter how many songs I make spreading positivity or sending a message. It don't matter how much time I spend within the community. It don't matter that I have a black wife. Being a white person in America, you represent being a benefactor of slavery of what this country was built on.
My life and the life of my family has been completely disrupted in absolutely every way by starting the school-prayer case. But it's been worth it. It's uncovered a vast cesspool of illegitimate economic and political power in which the Church is immersed right up to its ears, and I intend to dive in headfirst and pull it out of there dripping wet for all the world to see -no matter how long it takes, no matter whose feet get stepped on in the process, no matter how much it costs, no matter how great the personal sacrifice.
No matter how much you've sinned, no matter how much you've stumbled, no matter how much you fall, no matter how far you've got from God, don't give up. You can still be redeemed. As someone says, keep the faith.
Capitalism is being attacked not because it is inefficient or misgoverned but because it is cynical. And indeed a society based on the assertion that private vices become public benefits cannot endure, no matter how impeccable its logic, no matter how great its benefits.
I don't ever want to do a movie where you shoot it on a motion capture stage. I just don't like taking the reality out of it. I like being on the set in real environments. I don't like shooting on green screen. I think it gives the actors so much more to play with when there's real stuff happening on the set.
I also want the chance to work with some of the best actors in the business, because that's where you can learn so much by just being on a set and getting a feel for how they approach their role and how they work with you.
I also want the chance to work with some of the best actors in the business, because that's where you can learn so much by just being on a set and getting a feel for how they approach their role and how they work with you
I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.
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