A Quote by Henry Rollins

Every single record I have is a fossil. — © Henry Rollins
Every single record I have is a fossil.
Wherever we look at the living biota … discontinuities are overwhelmingly frequent…The discontinuities are even more striking in the fossil record. New species usually appear in the fossil record suddenly, not connected with their ancestors by a series of intermediates.
There are gaps in the fossil graveyard, places where there should be intermediate forms, but where there is nothing whatsoever instead. No paleontologist..denies that this is so. It is simply a fact, Darwin's theory and the fossil record are in conflict.
I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
The fossil record is incredible when it preserves things, but it's not a complete record.
The known fossil record fails to document a single example of phyletic evolution i.e., a species becoming a new species accomplishing a major morphological transition and hence offers no evidence that the gradualistic model can be valid.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
Darwin's prediction of rampant, albeit gradual, change affecting all lineages through time is refuted. The record is there, and the record speaks for tremendous anatomical conservatism. Change in the manner Darwin expected is just not found in the fossil record.
A lot of bands, they take a lot of planning to do a live record. They have to hire a crew, and they have to have a recording truck and all this equipment, and they record every single show.
A knowledge of the true age of the Earth and of the fossil record makes it impossible for any balanced intellect to believe in the literal truth of every part of the Bible in the way that fundamentalists do.
We've always used that as a goal - the record that literally every single track on it could be a hit. A record that breaks doors down, that opens up new opportunities to us, that helps you achieve true immortality as an artist.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I don't just like fillers, and I never put a filler on a record. I mean, I want every song on every album that I do to be a potential single.
In every single job, in every single business, in every single profession - in whatever you do - there can be the satisfaction and the happiness that comes from knowing that what you do is important, that what you do makes a difference in the lives of the people you serve.
Making a record is a lot like surgery without an anesthetic. You first have to cut yourself up the middle. Then you have to rip out every single organ, every single part and lay them on a table. You then need to examine the parts, and the reality of the situation hits you. Then you pop it all back in, sew yourself shut and perform.
In spite of what are unprecedented measures in scale and scope, I can't stand here and say I can save every single job, protect every single business or indeed every single charity. That's just simply not possible.
Every single team that I've played for, every single person would tell you that I've given it everything every single day.
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