A Quote by Henry Rollins
I have been listening to the Stooges' self-titled first album for well over half my life, and it remains one of the most exciting and essential records I have ever had the good fortune to come into contact with.
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I had been told by a number of people that if you get half of what you want on your first album, you're doing really well. Pretty much every single thing they had was something that I liked. There were maybe one or two songs I didn't like, and they were taken off the album quickly.
The 'Frampton' album sold better than all of the other solo records that I'd had, put together. It was over 300,000 copies, so that was a good signal that we were poised for my first gold record.
I've done two albums for Concord Records; one was with Al Jarreau and it did very well for us. The second album was called 'Songs And Stories,' and it had good songs and good performances, but I promised them I would do an album that was more jazz-oriented.
Cristiano Ronaldo's was the most exciting debut I've ever seen. There have been a few players described as 'The New George Best' over the years, but this is the first time it's been a compliment to me.
A close contact with nature has been a focus of my life since childhood and has been my inspiration both professionally and personally. I believe that for most of us, most of the time, it is in the everyday experience of beauty, certainly in nature and in music, that we sense a heaven half-revealed and come closest to the true meaning of reality.
I'd had my whole life to write my first album. I had my No. 1 and my third single out, and they go, 'Hey, guess what? We need to start recording the next one.' I'm like, 'Uh oh, I got to write another album. Well, how am I gonna write 'Should've Been a Cowboy' and 'Ain't Worth Missing' and all that again?' It took me forever to write the first one.
When you do the first half of life well, you have a good sense of yourself. Most of our mainline Christian denominations, in my opinion, don't do the first or second halves very well. We don't really give people a good container, we give them a bunch of legalisms.
Album 1 is proving that you're worth listening to, album 2 is proving that it wasn't a fluke, and album 3 is the most authentic thing I've ever done.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.
Albom with Trent Willmon is the first project that I haven't had to scrap money together for. The is the first time I've used any outside songs at all; until now it's only been stuff that I've written. This is also the first album of mine that's had any co-writes on it, as well. It's a big step, coming off of anything we've ever done before.
Solomon Northup is one of the most remarkable people I've ever encountered in my life; one of the most amazing stories I have ever been in any kind of contact with. To not tell that story would have been disgraceful, in my opinion.
Solomon Northup is one of the most remarkable people Ive ever encountered in my life; one of the most amazing stories I have ever been in any kind of contact with. To not tell that story would have been disgraceful, in my opinion.
Man is a rational animal – so at least I have been told. Throughout a long life, I have looked diligently for evidence in favour of this statement, but so far I have not had the good fortune to come across it, though I have searched in many countries spread over three continents.
The first professional game that I ever played remains, to me, the most exciting moment of my professional career.
Nobody ever told me, 'Art is this.' This was good luck in a way because I would have had to spend half of my life forgetting everything that I had been told, which is what happens with most students in schools of fine arts.
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