A Quote by Henry Rollins
Certainly, there are huge, multiplatinum bands whose singers command their audience's attention. Sadly, much of the time they have little to say.
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Not many people are able to say that they had in their professional career the chance to perform in two bands that won Grammys and were multiplatinum bands.
It was my contention that opera can not only pay for itself if it is well given, but it can also command a much wider audience if given like a play with lots of rehearsals and wonderful singers that fit the role.
Men whose acts are at variance with their words command no respect, and what they say has but little weight.
What I love about improv so much is that we are all discovering it at roughly the same time. The performers are maybe, what, a half second ahead of the audience? There's very little lag time. I think of a thing, I say it, then the audience is laughing and it all happened in a second.
I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.
I am very much into voices. I would say I'm a fan of voices, not of sound. I'm a fan of singers, not of bands.
I was one of those whose school report would always say, 'Could pay more attention.' I spent my time trying to be the centre of attention or the class joker instead of knuckling down. Far from the perfect student.
Growing up, I went to the Warped Tour a lot, and I got to see bands like Rancid and AFI and Dropkick Murphys and these bands that meant so much to me when I was a kid - all in succession on these stages, so to get to play that same stage that I watched those bands play is a huge thing for me.
Suddenly I find myself feeling sorry for those greedy, needy people whose huge salaries are never quite enough, whose sense of worth is defined by their own personal wad. What a diminished, impoverished world they must inhabit ... We should feel sorry for them and their sadly limited lives. Then we should remember never to trust the judgement of those whose priorities are so idiotically skewed.
I've never associated myself with other singers, certainly not female singers.
The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.
A playwright, especially a playwright whose work deals very directly with an audience, perhaps he should pay some attention to the nature of the audience response - not necessarily to learn anything about his craft, but as often as not merely to find out about the temper of the time, what is being tolerated, what is being permitted.
I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
I'm not someone who can sing anything... And my favorite singers aren't people whose voice you would say is amazing. I'm a big Bob Dylan fan, a huge David Bowie fan... none of those people have orthodox, cabaret voices. These are people where what they're singing about is just as important as how they're singing it.
It can be a little difficult to command attention when surrounded by lunatics.
The truth, I am convinced, is that there is no longer a poetical audience among the higher class of minds, that moral, political, and physical science have entirely withdrawn from poetry the attention of all whose attention is worth having; and that the poetical reading public being composed of the mere dregs of the intellectual community, the most sufficing passport to their favour must rest on the mixture of a little easily-intelligible portion of mawkish sentiment with an absolute negation of reason and knowledge.
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