A Quote by Henry Theodore Tuckerman
A work of art is said to be perfect in proportion as it does not remind the spectator of the process by which it was created.
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The work of art assumes the existence of the perfect spectator, and is indifferent to the fact that no such person exists.
The complete and definitive work of art is created beyond one's individuality... ...The universal transcends such a level. Mere spontaneity has never created a work of art which possesses a lasting cultural value. The method leading to universal form is based upon calculations of measure and number.
Artists have no choice but to express their lives. They have only, and that not always, a choice of process. This process does not change the essential content of their work in art, which can only be their life.
Art isn't only a painting. Art is anything that is creative, passionate and personal. Art is the unique work of a human being created to touch another. Art is created to have an impact, to change someone else.
Let me... remind you that it is only by working with an energy which is almost superhuman and which looks to uninterested spectators like insanity that we can accomplish anything worth the achievement. Work is the keystone of a perfect life. Work and trust in God.
The ultimate justification of the work of art is to help the spectator to become a work of art himself.
I can consider not only great art, but the context in which that art has been created. I can consider the people who paid a price for that art to be created and whether or not I want to appreciate that art on their backs.
The easiest thing to do is put someone in a file of somebody you already know. 'Hey, you remind me of Sam Kinison' or 'You remind me of Richard Pryor.' That's fine, because I know that's the process. Eventually, my own file will be created.
If 'Spectator Business' works, we will continue this brand extension strategy and look at everything from 'Spectator Arts' to 'Spectator Style and Travel' or 'Spectator Connoisseur.'
The truth is that works of art test the spectator much more than the spectator tests them.
I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.
A good short story is a work of art which daunts us in proportion to its brevity.... No inspiration is too noble for it; no amountof hard work is too severe for it.
The work of art is to dominate the spectator: the spectator is not to dominate the work of art.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex and vital.
Art is an idea that has found its perfect visual expression. And design is the vehicle by which this expression is made possible. Art is a noun, and design is a noun and also a verb. Art is a product and design is a process. Design is the foundation of all the arts.
After painting comes Sculpture, a very noble art, but one that does not in the execution require the same supreme ingenuity as the art of painting, since in two most important and difficult particulars, in foreshortening and in light and shade, for which the painter has to invent a process, sculpture is helped by nature. Moreover, Sculpture does not imitate color which the painter takes pains to attune so that the shadows accompany the lights.
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