A Quote by Henry Theodore Tuckerman
The eye speaks with an eloquence and truthfulness surpassing speech. It is the window out of which the winged thoughts often fly unwittingly. It is the tiny magic mirror on whose crystal surface the moods of feeling fitfully play, like the sunlight and shadow on a still stream.
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The pleasure of eloquence is in greatest part owing often to the stimulus of the occasion which produces it- - to the magic of sympathy, which exalts the feeling of each by radiating on him the feeling of all.
So his life has flowed, From its mysterious urn a sacred stream, In whose calm depth the beautiful and pure, Alone are mirrored; which, though shapes of ill, May hover round its surface, glides in light, And takes no shadow from them.
Not only after two or three centuries, but in a million years, life will still be as it was; life does not change, it remains for ever, following its own laws which do not concern us, or which, at any rate, you will never find out. Migrant birds, cranes for example, fly and fly, and whatever thoughts, high or low, enter their heads, they will still fly and not know why or where. They fly and will continue to fly, whatever philosophers come to life among them; they may philosophize as much as they like, only they will fly.
Maybe the only thing each of us can see is our own shadow. Carl Jung called this his shadow work. He said we never see others. Instead we see only aspects of ourselves that fall over them. Shadows. Projections. Our associations. The same way old painters would sit in a tiny dark room and trace the image of what stood outside a tiny window, in the bright sunlight. The camera obscura. Not the exact image, but everything reversed or upside down.
I work fitfully, in hope rather than in expectation, invent methods which last a week, and fill notebooks with tiny, illegible writing which often defies my own attempts to decipher it.
I'm not a huge fan of eye shadow. You spend 20 minutes working on it and then make one mistake and have to remove it all! I'd rather play up my eyes with winged eyeliner.
The only and absolute perfect union of two is when a baby hangs suspended in its mother's womb, like a tiny madman in a padded cell, attached to her, feeling her blood and hormones, and moods play through its body, feeling her feelings.
The surface of the quieted river, as I think now, is like a window looking into another world that is like this one except that it is quiet. Its quietness makes it seem perfect. The ripples are like the slates of a blind of a shutter through which we see imperfectly what is perfect. Though that other world can be seen only momentarily, it looks everlasting. As the ripples become more agitated, the window darkens and the other world is hidden.the surface of the river is like a living soul, which is easy to disturb, is often disturbed, but, growing calm, shows what it was, is, and will be.
The superior man, even when he is not moving, has a feeling of reverence, and while he speaks not, he has the feeling of truthfulness.
when someone speaks he looks at a mouth, not eyes and their colors, which, it seems to him, will always alter depending on the light of a room, the minute of the day. Mouths reveal insecurity or smugness or any other point on the spectrum of character. For him they are the most intricate aspect of faces. He's never sure what an eye reveals. but he can read how mouths darken into callousness, suggest tenderness. One can often misjudge an eye from its reaction to a simple beam of sunlight.
Beneath our feet a fairy pathway flows, The grass still glitters in the summer breeze, The dusky wood, and distant copse appear, And that lone stream, upon whose chequer?d face We mused, when noon-rays made the pebbles gleam, Is mirror?d to the mind: though all around Be rattling hoofs and roaring wheels, the eye Is wand?ring where the heart delights to dwell.
Like a stone on the surface of a still river
Driving the ripples on forever
Redemption rips through the surface of time
In the cry of a tiny babe.
For in and out, above, about, below, 'Tis nothing but a Magic Shadow-show, Played in a Box whose Candle is the Sun, Round which we Phantom Figures come and go.
Music moves me - duh - and that is like having a window opening on a heightened reality, but the effect is fleeting: When the music ends, the magic, the uplifting, vanishes and the window slams shut. Words, on the other hand, by the nature of how they work, emotions evoked by dint of carefully laid out thoughts, have a more lingering effect.
Greek is the embodiment of the fluent speech that runs or soars, the speech of a people which could not help giving winged feet toits god of art. Latin is the embodiment of the weighty and concentrated speech which is hammered and pressed and polished into the shape of its perfection, as the ethically minded Romans believed that the soul also should be wrought.
Action hangs, as it were, dissolved in speech, in thoughts whereof speech is the shadow; and precipitates itself therefrom. The kind of speech in a man betokens the kind of action you will get from him.
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