A Quote by Henry Theodore Tuckerman
To a nice ear, the quality of a voice is singularly affecting. Its depth seems to be allied to feeling; at least, the contralto notes alone give an adequate sense of pathos. They are born near the heart.
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The soft contralto notes of a woman's voice are born in the immediate region of the heart.
What use having a great depth of field, if there is not an adequate depth of feeling?
An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.
Perfumes are the feelings of flowers, and as the human heart, imagining itself alone and unwatched, feels most deeply in the night-time, so seems it as if the flowers, in musing modesty, await the mantling eventide ere they give themselves up wholly to feeling...
I was born in Allied-controlled Pola. At the end of World War II, the victorious wartime Allied powers negotiated the details of peace treaties and borders with Italy, Romania, Hungary, Bulgaria, and Finland. The Paris Treaty was signed on February 10, 1947. I was born a few days later.
Prayer is no fitful, short-lived thing. It is no voice crying unheard and unheeded in the silence. It is a voice which goes into God's ear, and it lives as long as God's ear is open to holy pleas, as long as God's heart is alive to holy things.
I think I have got a peculiar voice really, it neither one thing nor the other. It's not a contralto and it's not a mezzo soprano; it's a nothing voice really.
This seems highly likely, especially as it has been shown that in several systems mutations affecting the same amino acid are extremely near together on the genetic map.
I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.
People think I'm not polite. But, what I have to say to people seems so unnecessary. I can't be forced. I'd rather just be what I feel. Even when I sing I try to imagine I'm all alone, there's nobody out there listening. I play with the notes, with the feeling. Each time the song is different for me.
When your sense of self is no longer tied to thought, is no longer conceptual, there is a depth of feeling, of sensing, of compassion, of loving, that was not there when you were trapped in mental concepts. You are that depth.
John [Lennon] as a singer - the way he sings on "Twist and Shout" and the way he sings on "Strawberry Fields Forever" - is a very odd voice, in the sense that it seems to be celebrating but almost mourning at the same time. There's a quality of mourning to his voice, which is very enigmatic.
He could not feel her near him in the darkness nor hear her voice touch his ear. He waited for some minutes listening. He could hear nothing: the night was perfectly silent. He listened again: perfectly silent. He felt that he was alone.
Very often mothers go to work right away after the child is born and, unless the father or someone else stays home, this is quite serious. A baby has to be near its kin most of the time when he is little for three, four or five years. To give him this grounding, this feeling of connection, this feeling of relationship, is the most important thing.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
The Lord is near! You're not alone. You may feel alone. You may think you're alone. But there's never a moment in which you face life without help. God is near. God repeatedly pledges his proverbial presence to his people. Don't assume God is watching from a distance. Avoid the quicksand that bears the marker "God has left you!" Don't indulge this lie. If you do, your problem will be amplified by a sense of loneliness. It's one thing to face a challenge, but to face it all alone? Isolation creates a downward cycle of fret.
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