A Quote by Henry Thomas

I was highly sensitive and still am, but as a kid I could tap into my emotional state rather easily. — © Henry Thomas
I was highly sensitive and still am, but as a kid I could tap into my emotional state rather easily.
A sensitive person receives fifty impressions where somebody else may only get seven. Sensitive people are so vulnerable; they're so easily brutalized and hurt just because they are sensitive. The more sensitive you are, the more certain you are to be brutalized, develop scabs.Analysis helps. It helped me. But still, the last eight, nine years I've been pretty messed up, a mess pretty much.
A modern state is such a complex and interdependent fabric that it offers a target highly sensitive to a sudden and overwhelming blow from the air.
I'm a sensitive, sensitive person. Overly sensitive. Extremely emotional.
I could have kisses like that for the rest of my life. Kisses that don't know who I am. Kisses that make me feel more and less than what I am. But my finger tap tap taps on my leg and reminds me that I am not who Adam thinks I am, and it makes me want to cry. It's not that I don't deserve his kiss. It's that the person I am can never really share a life, a soul, with the person he is.
I am very sensitive and get emotional.
To be womanly is one thing, and one only; it is to be sensitive to man, to be highly endowed with the sex instinct; to be manly is to be sensitive to woman.
I have not changed; I am still the same girl I was fifty years ago and the same young woman I was in the seventies. I still lust for life, I am still ferociously independent, I still crave justice, and I fall madly in love easily.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
I don't know about others, but I am sensitive, and I easily get attached to my characters.
The artist must operate on the assumption that the public consists in the highest order of individual; that he is civilized, cultured, and highly sensitive both to emotional and intellectual contexts. And while the whole public most certainly does not consist in that sort of individual, still the tendency of art is to create such a public - to lift the level of perceptivity, to increase and enrich the average individual's store of values... I believe that it is in a certain devotion to concepts of truth that we discover values.
I am a thinned-skinned type. I am very sensitive, very emotional. Vulnerability is kind of always a part of my day.
I wish I could unknow this, but there is a perception of me that I'm super-sensitive and fragile. And I am super-sensitive, and I don't think that that's a bad thing. To do what I do, I have to remain open.
I am very sensitive to music, so I can quite easily allow myself to access that space in which I am completely taken over. And you can get quite a reaction out of the crowd when you do that.
It's not sinking in, as I still believe I am a kid! And now I am going to have a kid. I'm slowly digesting it.
The questions of traditional and redefined marriage are highly emotional and a difficult and sensitive topic. Living in the D.C. area and having gay friends and colleagues, I find the topic difficult to discuss and sometimes even difficult write about for fear that I will be judged.
I was a highly sensitive kid, sort of an old soul, and I felt like a lot of people in my peer group didn't fully understand me, or I couldn't fully be myself. I just wasn't engaged in a way that was fulfilling me.
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