A Quote by Henry Wadsworth Longfellow

Many readers judge of the power of a book by the shock it gives their feelings. — © Henry Wadsworth Longfellow
Many readers judge of the power of a book by the shock it gives their feelings.
Many readers judge of the power of a book by the shock it gives their feelings - as some savage tribes determine the power of muskets by their recoil; that being considered best which fairly prostrates the purchaser.
A reader is entitled to believe what he or she believes is consonant with the facts of the book. It is not unusual that readers take away something that is spiritually at variance from what I myself experienced. That's not to say readers make up the book they want. We all have to agree on the facts. But readers bring their histories and all sets of longings. A book will pluck the strings of those longings differently among different readers.
For any true stickler, you see, the sight of the plural word “Book’s” with an apostrophe in it will trigger a ghastly private emotional process similar to the stages of bereavement, though greatly accelerated. First there is shock. Within seconds, shock gives way to disbelief, disbelief to pain, and pain to anger. Finally (and this is where the analogy breaks down), anger gives way to a righteous urge to perpetrate an act of criminal damage with the aid of a permanent marker.
When you pray, you open yourself to the influence of the power which has revealed itself as love. The power gives you freedom and independence. Once touched by this power, you are no longer swayed back and forth by the countless opinions, ideas, and feelings which flow through you. You have found a center for your life that gives you a creative distance so that everything you see, hear, and feel can be tested against the source.
The best thing about being a writer is it gives you readers who understand your deepest feelings and fears.
Many people don't know about the power of good feelings, and so their feelings are reactions or responses to what happens to them. They have put their feelings on automatic pilot, instead of deliberately taking charge of them.
Dress gives one the outward sign from which people in general can, and often do, judge upon the inward state of mind and feelings.
I feel that form determines how readers read a book and how they judge it.
It is quite too common a practice, both in readers and the more superficial class of critics, to judge a book by what it is not, a matter much easier to determine than what it is.
A book with the genuine power to stir and comfort its readers.
If you cannot judge a book by its cover, surely we should not judge an author by one book alone?
At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape.
I think, consciously or not, what we readers do each time we open a book is to set off a search for authenticity. We want to get closer to the heart of things, and sometimes even a few good sentences contained in an otherwise unexceptional book can crystallize vague feelings, fleeting physical sensations, or, sometimes, profound epiphanies." pg. xvi
I don't use "feelings" as a diminutive word. I'm trying to take feelings back. I think of everyone on the internet whose response to everything is: "#Feelings! This is important, this is real, this is significant!" That connects to power, too. Wanting to feel like you have power and control over your life.
You are meant to judge physical reality. You are meant to realize that it is a materialization of your thoughts and feelings and images, that the inner self forms that world. In your terms, you cannot be allowed to go into other dimensions until you have learned the great power of your thoughts and subjective feelings.
Journalism allows its readers to witness history; fiction gives its readers an opportunity to live it.
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