A Quote by Henry Wadsworth Longfellow
The tragic element in poetry is like Saturn in alchemy, ? the Malevolent, the Destroyer of Nature ; but without it no true Aurum Potabile, or Elixir of Life, can be made.
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Alchemy is the art of far and near, and I think poetry is alchemy in that way. It's delightful to distort size, to see something that's tiny as though it were vast.
The noblest relationship is marriage, that is, love. Its nobility resides in its altruism, the desire to serve another beyond all the pleasures of the relationship; and in its refusal ever to regard the other as a thing, an object, a utilizability. Sex is an exchange of pleasures, of needs; love is a giving without return. It is this giving without return, this helping without reward, this surplus of pure good, that identifies the uniqueness of man as well as the true nature of the true marriage. This is the quintessence the great alchemy of sex is for.
Since a true knowledge of nature gives us pleasure, a lively imitation of it, either in poetry or painting, must produce a much greater; for both these arts are not only true imitations of nature, but of the best nature.
I'm not against sentimentality. I think you need it. I mean, I don't think you get a true picture of people without it in writing... It's a kind of poetry, it's an emotional poetry, and, to bring it back to the literary scene, I don't think anything is true that doesn't have it, that doesn't have poetry in it.
In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
Reading history, one rarely gets the feeling of the true nature of scientific development, in which the element of farce is as great as the element of triumph.
It's been an adventure just getting out to Saturn, .. Saturn is such an alluring photographic target. It's a joy, really, to be able to take our images and composite them in an artful way, which is one of my cardinal working goals. It's about poetry and beauty and science all mixed together.
All lives are composed of two basic elements," the squirrel said, "purpose and poetry. By being ourselves, squirrel and raven, we fulfill the first requirement, you in flight and I in my tree. But there is poetry in the meanest of lives, and if we leave it unsought we leave ourselves unrealized. A life without food, without shelter, without love, a life lived in the rain—this is nothing beside a life without poetry.
I have always made my own rules, in poetry as in life - though I have tried of late to cooperate more with my family. I do, however, believe that without order or pattern poetry is useless.
The more you become a connoisseur of gratitude, the less you are a victim of resentment, depression, and despair. Gratitude will act as an elixir that will gradually dissolve the hard shell of your ego-your need to posses and control-and transform you into a generous being. The sense of gratitude produces true spiritual alchemy, makes us magnanimous-lar ge souled.
The need for a detailed, comprehensive examination of the Saturn system became clear during the early 1980s, after the two Voyager spacecraft made flybys of the planet. These celebrated events were the opening acts in the story of humanity's exploration of Saturn.
one reason why I like writing poetry - you can say so many things in it that are true in poetry but wouldn't be true in prose.
For thousands of years, poetry has been picturing love as a mysterious and tragic power. But when anyone says the same thing in plain prose, and adds that life would be colourless and poor without the great passions, then this is called immorality!
Without the religious element, life is like an engine running without oil-it seizes up.
The ship, built on one element, but designed to have its life in another, seemed an image of the soul, formed and fashioned with many a weary hammer-stroke in this life, but finding its true element only when it sails out into the ocean of eternity.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
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