A Quote by Henry Wadsworth Longfellow

Dost thou know what a hero is? Why, a hero is as much as one should say, a hero. — © Henry Wadsworth Longfellow
Dost thou know what a hero is? Why, a hero is as much as one should say, a hero.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
We have these rules, the 'hero rules.' Like, a hero doesn't slouch. A hero walks proudly with his head up. A hero walks with a purpose. A hero's always a gentleman.
It is said, that no one is a hero to their butler. The reason is, that it requires a hero to recognize a hero. The butler, however, will probably know well how to estimate his equals.
The hero wanders, the hero suffers, the hero returns. You are that hero.
It is said that no man is a hero to his valet. That is because a hero can be recognized only by a hero.
Nobody, they say, is a hero to his valet. Of course; for a man must be a hero to understand a hero. The valet, I dare say, has great respect for some person of his own stamp.
The contemporary hero, the mythical pattern in the imitation of whom we would live, remains as yet undefined. We have no hero; what is more to the point, we suspect hero worship.
Heroes come in all sizes, and you don't have to be a giant hero. You can be a very small hero. It's just as important to understand that accepting self-responsibi lity for the things you do, having good manners, caring about other people-these are heroic acts. Everybody has the choice of being a hero or not being a hero every day of their lives.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
Part of what we want to do with the Heroic Imagination Project is to get kids to think about what it means to be a hero. The most basic concept of a hero is socially constructed: It differs from culture to culture and changes over time. Think of Christopher Columbus. Until recently, he was a hero. Now he's a genocidal murderer! If he were alive today, he'd say, "What happened? I used to be a hero, and now people are throwing tomatoes at me!
If Hero means sincere man, why may not every one of us be a Hero?
You know who it is? It's me in 10 years. So I turned 25. Ten years later, that same person comes to me and says, 'So, are you a hero?' And I was like, 'not even close. No, no, no.' She said, 'Why?' I said, 'Because my hero's me at 35.' So you see every day, every week, every month and every year of my life, my hero's always 10 years away. I'm never gonna be my hero. I'm not gonna attain that. I know I'm not, and that's just fine with me because that keeps me with somebody to keep on chasing.
If the director has a story, he will go directly to the hero. If I have a big hero in hand today, any big banner or corporate will come to me. But if I say I have a good story, they will ask if I have a hero.
If he'd been a hero, he would have taken the opportunity to say, "That's what I call sorted!" Since he wasn't a hero, he threw up.
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