A Quote by Henry Wadsworth Longfellow

All are architects of Fate, Working in these walls of Time; Some with massive deeds and great, Some with ornaments of rhyme. — © Henry Wadsworth Longfellow
All are architects of Fate, Working in these walls of Time; Some with massive deeds and great, Some with ornaments of rhyme.
Some rhyme a neebor's name to lash; Some rhyme (vain thought!) for needfu' cash; Some rhyme to court the countra clash, An' raise a din; For me, an aim I never fash; I rhyme for fun.
Rhyme to kill, rhyme to murder, rhyme to stomp, Rhyme to ill, rhyme to romp, Rhyme to smack, rhyme to shock, rhyme to roll, Rhyme to destroy anything, toy boy. On the microphone: I'm Poppa Large, big shot on the East Coast.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
My education - my Ph.D. in storytelling - comes from having worked on it, being a lover of film and watching them, from working with some great writers and some very good TV directors and then working with some who weren't.
The great wheel of Fate rolls on like a Juggernaut, and crushes us all in turn, some soon, some late
Great architects like Taut, Mendelsohn, and Gropius built some astonishing buildings which were to change the way architects around the world thought. Brecht and Weill forever changed musical theatre; Kaethe Kollwitz and others changed German perceptions of the purposes of art.
We cannot escape the conclusion that because of performance in the pre-existence some of us are born as Chinese, some as Japanese, some as Indians, some as Negroes, some as Americans, some as Latter-day Saints. These are rewards and punishments, fully in harmony with His established policy in dealing with sinners and saints, rewarding all according to their deeds
We are all architects of faith, ever living in these walls of time.
I love L.A., but I don't live there. I spent some time there when I was recording 'Kaleidoscope,' mainly working with some of the artists I collaborated with. The city and people in L.A. have a great vibe and the weather is always beautiful.
I hope to build a house with my films. Some of them are the cellar, some are the walls, and some are the windows. But I hope in time there will be a house.
But touch me, and no minister so sore. Whoe'er offends, at some unlucky time Slides into verse, and hitches in a rhyme, Sacred to ridicule his whole life long, And the sad burthen of some merry song.
Some pirates achieved immortality by great deeds of cruelty or derring-do. Some achieved immortality by amassing great wealth. But the captain had long ago decided that he would, on the whole, prefer to achieve immortality by not dying.
If you are blessed with great fortunes. . . you may love your fate. But your fate never guarantees the security of those great fortunes. As soon as you realize your helplessness at the mercy of your fate, you are again in despair. Thus the hatred of fate can be generated not only by misfortunes, but also by great fortunes. Your hatred of fate is at the same time your hatred of your self. You hate your self for being so helpless under the crushing power of fate.
Some Christmas tree ornaments do more than glitter and glow, they represent a gift of love given a long time ago
I have played some of the great men in history and I believe in the great man who does heroic deeds, even in these egalitarian times.
My time at Oklahoma State and in Stillwater has been amazing. I met some amazing people, got to play with some great guys and great teammates, and I built some strong relationships and bonds there.
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