A Quote by Henry Walter Bates
Their elegant shape, showy colors, and slow, sailing mode of flight, make them very attractive objects, and their numbers are so great that they form quite a feature in the physiognomy of the forest, compensating for the scarcity of flowers.
Related Quotes
Their elegant shape, showy colours, and slow, sailing mode of flight, make them very attractive objects, and their numbers are so great that they form quite a feature in the physiognomy of the forest, compensating for the scarcity of flowers.
My dad had a personal style which was very attractive. It was quite reserved and quite elegant, and it was infectious.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them.
Awareness is that state of mind which takes in everything-the crows flying across the sky, the flowers on the trees, the people sitting in front, the colors they are wearing - being extensively aware, which needs watching, observing, taking in the shape of the leaf, the shape of the trunk, the shape of the head of another, what he is doing.
Always sailing, sailing, sailing...never quite reaching.
What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.
The things that we preceive as beautiful may be different, but the actual characteristics we ascribe to beautiful objects are similar. Think about it. When something strikes us as beautiful, it displays more presence and sharpness of shape and vividness of color, doesn't it? It stands out. It shines. It seems almost iridescent compared to the dullness of other objects less attractive.
Mathematicians do not study objects, but relations among objects; they are indifferent to the replacement of objects by others as long the relations don't change. Matter is not important, only form interests them.
Words are objects of a color and a size and a form and a shape.
Elegance is necessarily unnatural, only achieveable at great expense. If you just do something, it won't be elegant, but if you do it and then see what might be more elegant, and do it again, you might, after an unknown number of iterations, get something that is very elegant.
Mathematicians do not deal in objects, but in relations between objects; thus, they are free to replace some objects by others so long as the relations remain unchanged. Content to them is irrelevant: they are interested in form only.
I had not seen "Pride and Prejudice," till I read that sentence of yours, and then I got the book. And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses.
For the flowers are great blessings. For the Lord made a Nosegay in the meadow with his disciples and preached upon the lily. For the flowers have great virtues for all senses. For the flower glorifies God and the root parries the adversary. For the flowers have their angels even the words of God's creation. For there is a language of flowers. For there is a sound reasoning upon all flowers. For flowers are peculiarly the poetry of Christ.
I'm trying to mediate between individual agency and structural determination. I accept that people make individual choices, quite thoughtful, quite careful, quite difficult choices, but they don't make them without constraints that shape what choices are possible and provide the intensity of the push toward choosing.
Aficionados of Slow design and Slow fashion use ethical and green materials to make objects - furniture, clothes, jewellery - that lift the spirit and last a lifetime rather than one catwalk season.
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