A Quote by Henry Walter Bates

Their elegant shape, showy colours, and slow, sailing mode of flight, make them very attractive objects, and their numbers are so great that they form quite a feature in the physiognomy of the forest, compensating for the scarcity of flowers.

Henry Walter Bates

Quote Topics

Attractive Colours Elegant Feature Flight Flowers Forest Form Great Make Mode Numbers Objects Physiognomy Quite Sailing Scarcity Shape Showy Slow Them Very

Quote Author

Henry Walter Bates
English - Environmentalist
February 8, 1825 - February 16, 1892

Their elegant shape, showy colors, and slow, sailing mode of flight, make them very attractive objects, and their numbers are so great that they form quite a feature in the physiognomy of the forest, compensating for the scarcity of flowers.

Henry Walter Bates

I decided I should use the most obvious colours - the basic colours with simple names: red, purple, yellow, pink. I don't distort the objects, I don't change the objects, I draw them exactly as they are. I do the opposite with the colours.

Michael Craig-Martin

My dad had a personal style which was very attractive. It was quite reserved and quite elegant, and it was infectious.

Bill Nighy

The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.

Nina Dobrev

Always sailing, sailing, sailing...never quite reaching.

Cressida Cowell

The things that we preceive as beautiful may be different, but the actual characteristics we ascribe to beautiful objects are similar. Think about it. When something strikes us as beautiful, it displays more presence and sharpness of shape and vividness of color, doesn't it? It stands out. It shines. It seems almost iridescent compared to the dullness of other objects less attractive.

James Redfield

Mathematicians do not study objects, but relations among objects; they are indifferent to the replacement of objects by others as long the relations don't change. Matter is not important, only form interests them.

Henri Poincare

Words are objects of a color and a size and a form and a shape.

Robert Barry

Elegance is necessarily unnatural, only achieveable at great expense. If you just do something, it won't be elegant, but if you do it and then see what might be more elegant, and do it again, you might, after an unknown number of iterations, get something that is very elegant.

Erik Naggum

Mathematicians do not deal in objects, but in relations between objects; thus, they are free to replace some objects by others so long as the relations remain unchanged. Content to them is irrelevant: they are interested in form only.

Henri Poincare

I had not seen "Pride and Prejudice," till I read that sentence of yours, and then I got the book. And what did I find? An accurate daguerreotyped portrait of a common-place face; a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but no glance of a bright, vivid physiognomy, no open country, no fresh air, no blue hill, no bonny beck. I should hardly like to live with her ladies and gentlemen, in their elegant but confined houses.

Charlotte Bronte

For the flowers are great blessings. For the Lord made a Nosegay in the meadow with his disciples and preached upon the lily. For the flowers have great virtues for all senses. For the flower glorifies God and the root parries the adversary. For the flowers have their angels even the words of God's creation. For there is a language of flowers. For there is a sound reasoning upon all flowers. For flowers are peculiarly the poetry of Christ.

Christopher Smart

I'm trying to mediate between individual agency and structural determination. I accept that people make individual choices, quite thoughtful, quite careful, quite difficult choices, but they don't make them without constraints that shape what choices are possible and provide the intensity of the push toward choosing.

Joshua Clover

If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.