A Quote by Henry Ward Beecher

Coming to the Bible through commentaries is much like looking at a landscape through garret windows, over which generations of unmolested spiders have spun their webs.
Laws are like spiders webs which, if anything small falls into them they ensnare it, but large things break through and escape.
Reading is like looking through several windows which open to an infinite landscape....For me life without reading would be like being in prison, it would be as if my spirit were in a straightjacket; life would be a very dark and narrow place.
I always love depth. I like looking through windows, through frames, through spaces into other spaces.
Written laws are like spiders' webs, and will, like them, only entangle and hold the poor and weak, while the rich and powerful will easily break through them.
We are open to the world; the world is at our doorstep. It washes in, not just through the windows, but we are immersed in it completely - through the Internet, through the media, through people traveling, coming here, as well as Singaporeans going abroad.
The clearest window that ever was fashioned if it is barred by spiders' webs, and hung over with carcasses of insects, so that the sunlight has forgotten to find its way through, of what use can it be? Now, the Church is God's window; and if it is so obscured by errors that its light is darkness, how great is that darkness!
The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose providence dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.
All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.
Ordinary Bibles often include cross-references and brief concordances; Study Bibles include much more, all bound up in one fat volume, so that readers can find a lot of useful explanation on each page without having to hunt through Bible dictionaries and commentaries and the like.
Believing, with Max Weber, that man is an animal suspended in webs of significance he himself has spun, I take culture to be those webs, and the analysis of it to be therefore not an experimental science in search of law but an interpretive one in search of meaning.
An organsation's results are determined through webs of human commitments, born in webs of human conversations.
Most people, looking back at their childhood, see it as a misty country half-forgotten or only to be remembered through an evocative sound or scent, but some episodes of those short years remain clear and brightly coloured like a landscape seen through the wrong end of a telescope.
Getting into a space suit and going outside, to me, getting your peripheral vision involved and looking at the Earth was a whole different experience than looking through the window. And it's kind of the same on earth. If you're driving in a car and you see like a beautiful sunset or landscape, it looks so much better if you stop and get out and kind of take it all in and that's kind of what it's like doing a spacewalk.
Well, I think it's important to have some kind of a narrative engine that pushes the audience through the landscape. But I love films like 'Apocalypse Now,' which is a very mood driven film. It's a magnetic force that's pulling them through.
There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
Windows work two ways, mirrors one way. You never walk through mirrors or swim through windows.
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