A Quote by Henry Ward Beecher

It is necessary, if one would read aright, that he should read at least two newspapers, representing both sides of important subjects. — © Henry Ward Beecher
It is necessary, if one would read aright, that he should read at least two newspapers, representing both sides of important subjects.
What would we not give for some great poem to read now, which would be in harmony with the scenery,--for if men read aright, methinks they would never read anything but poems. No history nor philosophy can supply their place.
I read everywhere. I read every day. I read on the couch with my dog in the afternoon and at night. I try to read at least two to three hours a day. I read only fiction.
I try to make time for reading each night. In addition to the usual newspapers and magazines, I make it a priority to read at least one newsweekly from cover to cover. If I were to read what intrigues me- say, the science and business sections - then I would finish the magazine the same person I was when I started. So I read it all.
I read a ton of paper every day. I read the newspapers, I read my intelligence materials, I read all the briefing materials. I read the newspaper in hard copy.
The reason we have not gone to newspapers is because its a slow growth industry and I think they are dying. I'm not sure there will be newspapers in 10 years. I read newspapers every day. I even read Murdoch's Wall Street Journal.
Read more. Read. Read. Read. Deeply, widely, read. Learn all kinds of subjects. The smarter you are as an actor, the better an actor you'll be.
Grades were important in our house. I was reading by two. My mom would sit there and read with me, read with me, read with me. It was wonderful.
And in the Second World War, you didn't just read about it in the newspapers because you weren't allowed to read it in the newspapers. It was all censored, you know? So nobody knew what we were doing.
It's not important - it's not necessary that you read everything. What is necessary is that you care about things that you read and that you find something that really matters to you and you try and make something like that.
[My father] was interested. He read the newspapers and read Time and U.S. News and World Report and people in stores would come along, you know, and they would talk politics.
Honestly, the two main things that I always look for is, when I read the script for the first time, do I read it quickly? Because if I read it quick, that's an important telltale sign.
I don't read newspapers, and I've said I don't watch the news. I love books, but I don't read much. What I do is I get people to read to me, and I put the stories in my head.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
I never send a story off until I have read it aloud to at least two or three people. Because when I read - and I don't need their criticism, what I need is my own - when I read it aloud, there is a flow, there is a poetry to it.
Read at every wait; read at all hours; read within leisure; read in times of labor; read as one goes in; read as one goest out. The task of the educated mind is simply put: read to lead.
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