A Quote by Henry Ward Beecher

Thinking is creating with God, as thinking is writing with the ready writer; and worlds are only leaves turned over in the process of composition, about his throne. — © Henry Ward Beecher
Thinking is creating with God, as thinking is writing with the ready writer; and worlds are only leaves turned over in the process of composition, about his throne.
My thought process when I'm on the court is always thinking about getting better, and thinking about how I'm playing. Thinking about it as a process, as the big picture and what I need to work on, instead of being close-minded and thinking, 'I'm so nervous and have to win this match, if I don't, it'll be the worst.'
Usually I'm thinking about the palette. I'm thinking about the color for the most part, then I'll start thinking about composition and movement.
I'm a writer, not an editor, and though the editing rarely cut into my writing time, it did take away from that walking-around-thinking-about-it-when-you're-not-thinking-about-it time that I think is important for writers. When you're half-thinking about what you're working on while driving, cooking . . . just letting things sift and settle, come to you.
As an observer, I'm analysing my reactions, I guess, and my thinking; but about the process of writing... I am not very talented at talking about what I do as a writer.
I can't separate the process of writing from the visual process. I'm speaking only for myself here, but I'm a highly visual writer. In my imagination, when I'm thinking of a scene, I think of every last detail of it: The space, the color palette, the blocking of the actors, the placement of the camera.
My process is thinking, thinking and thinking - thinking about my stories for a long time.
A writer never has a vacation. For a writer, life consists of either writing or thinking about writing.
A. Douglas Stone, a physicist who has spent his life using quantum mechanics to explore striking new phenomena, has turned his considerable writing skills to thinking about Einstein and the quantum. What he finds and makes broadly understandable are the riches of Einstein's thinking not about relativity, not about his arguments with Bohr, but about Einstein's deep insights into the quantum world, insights that Stone shows speak to us now with all the vividness and depth they had a century ago. This is a fascinating book, lively, engaging, and strong in physical intuition.
I find the doing of the will of God leaves me no time for disputing about his plans — I do not say for thinking about them.
The translator ... Peculiar outcast, ghost in the world of literature, recreating in another form something already created, creating and not creating, writing words that are his own and not his own, writing a work not original to him, composing with utmost pains and without recognition of his pains or the fact that the composition really is his own.
There's something about the idea of writing, and thinking about writing as a form of prayer - the way as a writer you call out into the world and throw your words into the world. You're not praying to a god, but you're almost conjuring a reader to arrive. That's what books do: they're an invitation to readers.
Some people are aware of another sort of thinking which... leads to those simple ideas that are obvious only after they have been thought of... the term 'lateral thinking' has been coined to describe this orther sort of thinking; 'vertical thinking' is used to denote the conventional logical process.
It's just one of those things. When you're a wrestler you're thinking about one guy, yourself, your character and whatever guy it is you're working with. When you're a writer and you're kind of in a booking type role, you're thinking about the entire roster so you're thinking about wrestling 24 hours a day.
I believe that there is but One Thinker in the universe; that my thinking is His thinking, and that every man's thinking is an extension, through God, of every other man's thinking. I therefore think that the greater the exaltation and ecstasy of my thinking, the greater the standards of all man's thinking will be. Each man is thus empowered to uplift all men as each drop of water uplifts the entire ocean.
Obviously, once you're finished, you're like, "Okay, I have to make this a movie now, and I need people - bodies to play these parts, and actors to bring this thing beyond a script." But when I was writing it, I wasn't thinking of actors; I was really thinking about creating three-dimensional characters.
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.
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