A Quote by Henry Ward Beecher

Every artist dips his brush in his own soul, and paints his own nature into his pictures. — © Henry Ward Beecher
Every artist dips his brush in his own soul, and paints his own nature into his pictures.
Every artist paints his Madonna according to his own pre-conceived ideas.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
Every man's own character is written so all who will may read it, in the expression of his eyes, the tone of his voice, the posture of his body, the style of his clothes, and the nature of his deeds!
He made his colours, built his stretchers, plastered his canvas, painted his pictures, carpentered his frames, and painted them. 'Too bad I can't buy my own pictures,' he murmured aloud. 'Then I'd be completely self-sufficient.'
The right of nature... is the liberty each man hath to use his own power, as he will himself, for the preservation of his own nature; that is to say, of his own life.
Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.
The whole world, from the least to the greatest, must know the truth, so that man may understand the great laws that govern his life. He must learn to control his own destiny, to heal his own body and bring happiness to his own soul.
In His discourses, His miracles, His parables, His sufferings, His resurrection, He gradually raises the pedestal of His humanity before the world, but under a cover, until the shaft reaches from the grave to the heavens, whenHe lifts the curtain, and displays the figure of a man on a throne, for the worship of the universe; and clothing His church with His own power, He authorizes it to baptize and to preach remission of sins in His own name.
Where it is in his own interest, every organism may reasonably be expected to aid his fellows. Where he has no alternative, he submits to the yoke of communal servitude. Yet given a full chance to act in his own interest, nothing but expediency will restrain him from brutalizing, from maiming, from murdering his brother, his mate, his parent, or his child. Scratch an 'altruist' and watch a 'hypocrite' bleed.
We over-estimate the conscience of our friend. His goodness seems better than our goodness, his nature finer, his temptations less. Everything that is his,--his name, his form, his dress, books, and instruments,--fancy enhances. Our own thought sounds new and larger from his mouth.
Every man is his own ancestor, and every man is his own heir. He devises his own future, and he inherits his own past.
Every man is his own ancestor, and every man his own heir. He devises his own fortune, and he inherits his own past.
The artist's business is to take sorrow when it comes. The depth and capacity of his reception is the measure of his art; and when he turns his back on his own suffering, he denies the very laws of his being and closes the door on everything that can ever make him great.
It's not enough merely to exist. Every man has to seek in his own way to make his own self more noble and to relize his own true worth.
David knew that the very quality of his worship was not based on his own volition but on the object of his worship - the Father, Son and Holy Spirit. Though our affections for God may wax and wane, His character is unchanging! We even see David speaking to his own soul, demanding of it, "Bless the Lord!"
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