A Quote by Henry Ward Beecher

What a mother sings to the cradle goes all the way down to the coffin. — © Henry Ward Beecher
What a mother sings to the cradle goes all the way down to the coffin.
If every child might live the life predestined in a mother's heart, all the way from the cradle to the coffin, he would walk upon a beam of light, and shine in glory.
When my mother died, we had the coffin at home. Like, old-school - you have the coffin at home so all the people can come and see the person. And her coffin was next to my room, so I used to go in and stand on a chair and look at her. You know, it's open coffin and stuff.
Heresy is a cradle; orthodoxy a coffin.
From the cradle to the coffin underwear comes first.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
God has given you your country as cradle, and humanity as mother; you cannot rightly love your brethren of the cradle if you love not the common mother.
The recurrent laryngeal nerve - which runs from the head to the voice box - goes all the way down into the chest, loops around a major artery, then goes all the way back up again. It goes right past the larynx on the way down. All a decent designer would have to do is loop it off at that point. What we're looking at is the legacy of history.
I realized that, when you're 18, your world is wide open. But as each year passes, one more nail goes into the coffin, killing you dreams and aspirations. And by the time you reach 25, you've been beaten down and become a realist. And my advice is you can't let these things get you down.
There're lots of musicians in my family, too. My mother sings incredibly well. I've got to make a record with my mother's voice on it. She sings a lyric soprano. We do the opposite. I'm a baritone. She's a star singer in her church. She always does her solo.
A flow'ret crushed in the bud, A nameless piece of Babyhood, Was in her cradle-coffin lying; Extinct, with scarce the sense of dying
I'm just an ordinary, walking-down-the-street, mother of two children who sings for her supper.
I wanted to make a human monster. His name is Coffin Baby. The idea is based on a group of people from Pasadena whose names I can't mention. His mother died and during the funeral, this baby came out of her in the coffin
I wanted to make a human monster. His name is Coffin Baby. The idea is based on a group of people from Pasadena whose names I can't mention. His mother died and during the funeral, this baby came out of her in the coffin.
Every cradle asks us, Whence? and every coffin, Whither? The poor barbarian, weeping above his dead, can answer these questions as intelligently as the robed priest of the most authentic creed.
Apparently there’s this kind of songbird that thinks it dies every time the sun goes down. In the morning, when it wakes up, it’s totally shocked to still be alive—so it sings this really beautiful song.
I wanted to meet other artists. I suppose I simply felt that I was taking pot shots at clay pipes. Pop! Down goes Gertrude, down goes Jean Cocteau, down goes André Gide.
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