A Quote by Henry Williamson

Every gesture is a gesture from the blood, every expression a symbolic utterance... Everything is of the blood, of the senses. — © Henry Williamson
Every gesture is a gesture from the blood, every expression a symbolic utterance... Everything is of the blood, of the senses.
For one thing, I want gesture-any kind of gesture, all kinds of gesture-gentle or brutal, joyous or tragic; the gesture of space soaring, sinking, streaming, whirling; the gestures of light flowing or spurting through color. I see everything as possessing or possessed by gesture. I've often thought of my paintings as having an axis around which everything revolves.
Every important cultural gesture comes down to a morality, a model for human behavior concentrated into a gesture.
Light gesture and color of the key compliments of any photograph. Light and color are obvious, but it is just her that is the most important. There is gesture in everything. It's up to you to find a gesture that is most telling.
I've learned that in the theater the story is everything. Every lyric, every line and every musical gesture has to propel the journey of a given character or the overall plot.
The essential gesture of the contemporary novel is to get people to turn the page, to entertain them, and I hate that. I want a novel where the gesture is towards existential investigation on every page. That, to me, is thrilling.
Religion, even the most primitive and superstitious, is inevitably a beginning of culture. It is not possible without some kind of symbolic expression ... and begets dramatic gesture, dance, and chant.
Expression is not a matter of passion mirrored on the human face or revealed by a violent gesture. When I paint a picture, its every detail is expressive.
Every word and every deed, every thought and every gesture, even the simple act of paying attention can be a gift and therefore an echo of God’s life in us.
A gesture cannot be regarded as the expression of an individual, as his creation (because no individual is capable of creating a fully original gesture, belonging to nobody else), nor can it even be regarded as that person's instrument; on the contrary, it is gestures that use us as their instruments, as their bearers and incarnations
I am the most spontaneous speaker in the world because every word, every gesture, and every retort has been carefully rehearsed.
Every kingdom work, whether publicly performed or privately endeavored, partakes of the kingdom's imperishable character. Every honest intention, every stumbling word of witness, every resistance of temptation, every motion of repentance, every gesture of concern, every routine engagement, every motion of worship, every struggle towards obedience, every mumbled prayer, everything, literally, which flows out of our faith-relationship with the Ever-Living One, will find its place in the ever-living heavenly order which will dawn at his coming.
Without shedding of blood there is no anything. Everything, it seems to me, has to be purchased by selfsacrifice. Our race has marked every step of its painful ascent with blood. And now torrents of it must flow again.
Every word, facial expression, gesture, or action on the part of a parent gives the child some message about self-worth. It is sad that so many parents don't realize what messages they are sending.
They, who passed away long ago, still exist in us, as predisposition, as burden upon our fate, as murmuring blood, and as gesture that rises up from the depths of time.
If you want a symbolic gesture, don't burn the flag; wash it.
If you want a symbolic gesture, don't burn the flag, wash it.
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