A Quote by Henryk Sienkiewicz
The shots had dispersed the birds; there remained only two marabous, standing between ten and twenty paces away and plunged in reverie. They were like two old men with bald heads pressed between the shoulders.
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Atheism is so senseless & odious to mankind that it never had many professors. Can it be by accident that all birds beasts & men have their right side & left side alike shaped (except in their bowels) & just two eyes & no more on either side the face & just two ears on either side the head & a nose with two holes & no more between the eyes & one mouth under the nose & either two fore legs or two wings or two arms on the shoulders & two legs on the hips one on either side & no more?
Not only is the Napoleonic dream stronger today in our imaginations than it has ever been, but one can already feel the slow falling away of moral opprobrium from our memory of Hitler. In another fifty years we may well find ourselves weighed down by a second monstrous dream of pure grandeur to match that of the Emperor. Two men who dared. Two men who were adored. Two men who led with brilliance. Two men who administered fairly and efficiently. Two men who were modest in their own needs but surrounded by lesser beings who profited from their situation and came between the Hero and the people.
Given a choice between two bald political candidates, the American people will vote for the less bald of the two.
The decision must be made between Judaism and Christianity, between business and culture, between male and female, between the race and the individual, between unworhtiness and worth, between the earthly and the higher life, between negation and God-like. Mankind has the choice to make. There are only two poles, and there is no middle way.
The battle between two men over a girl is the same as the fight for two men over a piece of land. It is all about desire. There is no difference between a love triangle and the conflict between Israel and Palestine.
I like movies that deal with trapped men. Men that need to make choices that are not obvious or easy choices. Then how do you visualize this? You create this character conflicted between two sides, because drama is about the conflict of two things, between your duty and your will, between what you want and what you can't have. It is all conflict between two things, and this is why you put your character in a place where you can visualize the conflict.
The Falklands thing was a fight between two bald men over a comb.
In fact, though their acquaintance had been so short, they had guessed, as always happens between lovers, everything of any importance about each other in two seconds at the utmost, and it now remained only to fill in such unimportant details as what they were called; where they lived; and whether they were beggars or people of substance.
One: whose shoulders do you stand on? And two: what do you stand for? These are two questions that I always begin my poetry workshops with students because at times, poetry can seem like this dead art form for old white men who just seem like they were born to be old, like, you know, Benjamin Button or something.
In love, for example - the so-called love - we are 'related.' We appear to be related. We create the fallacy of a relationship, but in fact we are just deceiving ourselves. The two will remain two. Howsoever near, the two will remain two. Even in sexual communion they will be two. This two-ness, this duality will never last. So a relationship is only creating a fallacious oneness. It is not there. Oneness can never exist between two selves. Oneness can only exist between two no-selves.
Everybody knows that really intimate conversation is only possible between two or three. As soon as there are six or seven, collective language begins to dominate. That is why it is a complete misinterpretation to apply to the Church the words 'Wheresoever two or three are gathered together in my name, there am I in the midst of them.' Christ did not say two hundred, or fifty, or ten. He said two or three.
When you see love between two persons, something is flowing, moving, changing. When there is love between two persons they live in an aura, there is a constant sharing. Their vibrations are reaching to : each other; they are broadcasting their being to each other. There is no wall between them, they are two and yet not two - they are one also.
If they embark on this course the difference between the old and the new education will be an important one. Where the old initiated, the new merely 'conditions'. The old dealt with its pupils as grown birds deal with young birds when they teach them to fly; the new deals with them more as the poultry-keeper deals with young birds- making them thus or thus for purposes of which the birds know nothing. In a word, the old was a kind of propagation-men transmitting manhood to men; the new is merely propaganda.
If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'
Indifference to love or hate is sitting on the fence between the two, refusing to engage either one of them. Indifference, if it had its own way, would prefer to step away from the whole struggle between love and hate, to walk away from the only real game in the world and wallow in its own mediocrity.
Ideal love is fostered only between two sincere, mature and independent people. Real love is not two people clinging to each other; it can only be fostered between two strong people secure in their individuality.
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