A Quote by Henryk Sienkiewicz
But the French writers always had more originality and independence than others, and that regulator, which elsewhere was religion, long since ceased to exist for them.
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Democracy and religion stand or fall together. Where democracy has been destroyed, religion has been doomed. Where religion has been trampled down, democracy has ceased to exist.... Tyrants have come and have had their day and then have passed while religion has survived them all.
the word 'justification' has itself had a chequered career over the course of many centuries of debate. As the major historian of the doctrine has noted, the word has long since ceased to mean, in ecclesial debates, what it meant for Paul himself - which is confusing, since the debates have gone on referring to Paul as though he was in fact talking about what they want to talk about. It is as though the greengrocer treated you to a long discussion of how onions are grown, and how best to cook with them, when what you had asked was how much he would charge for three of them.
Religion, if it is genuine, is so profoundly interwoven with individual thought and experience that it is no more exhaustible than consciousness itself. And fiction whose purpose is didactic is bad no matter whether the matter to be "taught" is Christianity or the world view of Ayn Rand. It seems often to be assumed by writers that religion is a pose, meant to deceive oneself or others, or that it is a bad patch on doubt or complexity. This is only convention, however. The writers I know have a much deeper engagement with the real issues of religion.
The web of time - the strands of which approach one another, bifurcate, intersect, or ignore each other through the centuries - embraces "every" possibility. We do not exist in most of them. In some you exist and not I, while in others I do, and you do not, and in yet others both of us exist.
The complaint, therefore, that all topicks are preoccupied, is nothing more than the murmur of ignorance or idleness, by which some discourage others, and some themselves; the mutability of mankind will always furnish writers with new images, and the luxuriance of fancy may always embellish them with new decorations.
Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.
To exist is to be betrayed, since we exist for others only by virtue of what we betray of ourselves to them.
Mathematics had never had more than a secondary interest for him ; and even logic he cared for chiefly as a means of clearing the ground of doctrines imagined to be proved, by showing that the evidence on which they were supposed to rest had no tendency to prove them. But he had been endeavouring to give a more active and positive help than this to the cause of what he deemed pure religion.
I had always studied French and was obsessed with French films. I hated the way American films always had happy endings. I liked the way French films had dark and unpleasant characters; it was much more realistic.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
Let there be two possible things, A and B, one of which is such that it is necessary that it exists, and let us assume that there is more perfection in A than in B. Then, at least, we can explain why A should exist rather than B and can foresee which of them will exist; indeed, this can be demonstrated, that is, rendered certain from the nature of the thing.
There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
I always ask young writers, 'Are you certain you want to be a writer? If you're absolutely sure, then do it.' If you really want to write, writing has to take precedence over everything else, except for taking care of your loved ones. It has to be more important than any possession, more important than fame. We hear about just a few writers who get famous, but most of them don't. It's got to mean more than that.
First, if it is true that a spatial order organizes an ensemble of possibilities (e.g., by a place in which one can move) and interdictions (e.g., by a wall that prevents one from going further), than the walked actualizes some of these possibilities. In that way, he makes them exist as well as emerge. But he also moves them about and he invents others, since the crossing, drifting away, or improvisation of walking privilege, transform, or abandon spatial elements.
Real writers-that is, capital W Writers-rarely make much money. Their biggest reward is the occasional reader's response.... Commentators-in-print voicing big fat opinions-you might call us small w writers-get considerably more feedback than Writers. The letters I personally find most flattering are not the very rare ones that speak well of my editorials, but the occasional reader who wants to know who writes them. I always happily assume the letter-writers is implying that the editorials are so good that I couldn't have written them myself.
So death, the most terrifying of ills, is nothing to us, since so long as we exist, death is not with us; but when death comes, then we do not exist. It does not then concern either the living or the dead, since for the former it is not, and the latter are no more.
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