A Quote by Herb Alpert

The trumpet was not a lyrical singing instrument. — © Herb Alpert
The trumpet was not a lyrical singing instrument.
Singing instrumental music is most important because, while you play an instrument, you are singing through the instrument... actually, you are singing inside.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
As a drummer, you can't fake the instrument. A trumpet, you could be blowing air; a person who plays the trumpet could still say, "Oh, those aren't the right hand motions." On drums, you have to actually hit them. You can't fake it.
You know, the ukulele itself is not a very loud instrument, all right? And, you know, compared to like a trumpet, right? A trumpet is really loud.
I started piano like my sisters. After one year or two, I didn't like it anymore. Then, because I like trumpet, I played the cornet. When you are 7, you can't play trumpet - you play cornet. And something didn't go well. The teacher was too hard. Too rough. Suddenly, there was this instrument, the flute, that I could immediately play.
Somehow trumpet is the reference point for me it was actually my first instrument.
Somehow, trumpet is the reference point for me - it was actually my first instrument.
The most important thing is to make a percussive instrument a singing instrument. Teachers should stress this aspect in their instruction, but it seems that very few of them actually do.
I've never taken vocal lessons. My early trumpet training and a fortunate talent for singing has always been enough for me. In the case of rock singing, I've always felt it was better to remain a bit untrained to maintain your individuality.
Establishing a style is important, it really is, but a lot of singers get so involved with their instrument, and more so than they do in what they're singing. I think you really have to think about what you're singing. You have to make the public believe what you're singing. And in order to do that, you have to believe it.
So I had a couple of years of playing trumpet. I really enjoyed it, but it was not the kind of instrument you could whip out at a party. Let's face it.
I played trumpet in school once because I joined band because a cute boy played trumpet too. And I was really bad at trumpet.
The trumpet is a very violent instrument - probably one of the most archaic of all the modern instruments. It's physically really demanding: you have to stay in pretty good shape.
What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.
I enjoy singing, and the instruments which truly move me are the horn, the trumpet and the cello.
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