A Quote by Herb Alpert

This was during a period when I was producing Brazil '66 records and got infected by Brazilian music. — © Herb Alpert
This was during a period when I was producing Brazil '66 records and got infected by Brazilian music.
I am a Brazilian, I represent Brazil, I train there and I'm going to be a champion for Brazil.
It's good for Brazilian football to have idols, stars, big stars coming back to Brazilian clubs. The tournaments become much better, more interesting. Ze Roberto, Juninho Pernambucano, Ronaldinho Gaucho, and other players who have returned to Brazil strengthen the league and improve the tournaments.
For me Brazilian music is the perfect mix of melody and rhythm. It just bubbles rhythmically. If I had to pick just one music style to play if would be Brazilian.
Brazilian music has been a part of almost every record I've done, and I'd eventually like to record an entire album of Brazilian music.
I've been touching instruments since the day I was born. My mother is Brazilian, and she listens to Brazilian music. My father was a musician, and I've seen pictures of him when he was in a band playing guitar and piano. He loved country music, Frank Sinatra, and stuff like that.
When the OutKast sound changed and I started producing my own records, I would mirror what I thought that character doing that music would look like. As the sound got a little wilder, freakier and funkier, so did the clothes. Then when the sound got more sophisticated, the clothes changed again.
Embraer is Brazilian. It represents Brazil very well abroad.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I grew up producing hip-hop music, actually. I was producing for my friends, who were all rappers in upstate New York, where I'm from. But in the eighth grade, we had this songwriting contest in our school, and I got really excited about it and actually won. After that, I just kept making music forever.
I'll stay in the studio for 12 hours at a time, just producing music and making records. It doesn't feel like 'Oh man I've got a job to do.' It's more like 'Oh man I didn't even realize I've been there this long.'
For some reason that only a sociologist might be able to accurately explain, the Brazilian Press was extremely unkind to me, reporting only selective derogatory untruthful rumors (some of which are still around), harsh criticism, and unwarranted sarcasm. I was very hurt by this. It was such great disappointment... When I came back from Brazil at that time, I made a promise to myself that I would never, ever again sing in Brazil. So far [as of 2002], I have kept this promise, having declined each and every invitation or proposals to perform in Brazil. Once was enough!
When I go to Brazil, I feel like an American, and in the U.S., I always notice the traits that make me Brazilian.
I represent Brazil all over the world. Wherever I go I have to do my best, to not disappoint the Brazilian people. And that I've done.
Still, records are documents of a period of time. Most records are documents of two or three years, and I just approached it as a record I was doing over a 20-year period of time.
My mum is Brazilian and very proud. I'd love to do a Brazilian film. I've been brought up in the Brazilian culture. My mum brought me up on my own, I cook Brazilian food, I've never spoken a word of English to my mother.
There are a lot of comic strips in Brazilian newspapers that have been around for 30, almost 40 years. They are very famous in Brazil.
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