A Quote by Herb Goldberg

Perhaps the male has become an artist in the creation of many hidden ways of killing himself. — © Herb Goldberg
Perhaps the male has become an artist in the creation of many hidden ways of killing himself.
To express himself well, the artist should be hidden. The trouble is that if an artist knows he has genius, he's done for. The only salvation is to work like a labourer, and not have delusions of grandeur.
Today, each artist must undertake to invent himself, a lifelong act of creation that constitutes the essential content of the artist's work.
Humility collects the soul into a single point by the power of silence. A truly humble man has no desire to be known or admired by others, but wishes to plunge from himself into himself, to become nothing, as if he had never been born. When he is completely hidden to himself in himself, he is completely with God
With most people, not describable as artists, all the finer part of their vitality goes into sex. They become third-rate poets during their courtship. All their instincts of drama come out freshly with their wives. The artist is he in whom this emotionality normally absorbed by sex is so strong that it claims a newer and more exclusive field of deployment. Its first creation is the Artist himself, a new sort of person; the creative man.
In many ways we've become the Babylon of the modern era. We learned our lessons at the feet of Nebuchadnezzar himself. It's little wonder that we've lived to see Bible reading and the display of the Ten Commandments removed from public view and creation science excluded from classroom instruction. None of this is new. It has its roots in Babylon, and thus reveals that the book of Daniel is one of the most relevant books of the Bible in our world today.
The body in defense against male appropriation expresses itself through work in writing, and the work in writing produces the book. So it's a different form of creation and generation that may be viewed as creation without male contribution as a component or challenge.
Because the Beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation.
The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.
I had the same sensation as when we watch someone sleep. When asleep we all become children again. Perhaps because in the state of slumber we can do no wrong and are unconscious of life, the greatest criminal and most self- absorbed egotist are holy, by a natural magic, as long as they're sleeping. For me there's no discernible difference between killing a child and killing a sleeping man.
Jesus said, Recognize what is in your sight, and that which is hidden from you will become plain to you. For there is nothing hidden that shall not become manifest.
The crucial discovery was made that, in order to become painting, the universe seen by the artist had to become a private one created by himself.
A wife, a lover, can perhaps never see what the artist sees. They rarely ever do. Perhaps a really mediocre artist has more chance of success.
Man's destructive hand spares nothing that lives; he kills to feed himself, he kills to clothe himself, he kills to adorn himself, he kills to attack, he kills to defend himself, he kills to instruct himself, he kills to amuse himself, he kills for the sake of killing.
There is no one kind of thing that we 'perceive' but many different kinds, the number being reducible if at all by scientific investigation and not by philosophy: pens are in many ways though not in all ways unlike rainbows, which are in many ways though not in all ways unlike after-images, which in turn are in many ways but not in all ways unlike pictures on the cinema-screen--and so on.
You see, painting has now become, or all art has now become completely a game, by which man distracts himself. What is fascinating actually is, that it's going to become much more difficult for the artist, because he must really deepen the game to become any good at all.
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