A Quote by Herb Kelleher
The tragedy of our time is that we've got it backwards, we've learned to love techniques and use people.
Related Quotes
I'm not imprisoned in any one medium. In films I use techniques that are not necessarily what other directors attempt. When I write novels I also use techniques which can run counter to those that a novelist would use.
I learned to run backwards from Muhammad Ali. He told me about running backwards because you try to imitate everything you do in the ring, so sometimes you back up. So you have to train your legs to go backwards.
I don't use the techniques I learned at NYU much anymore.
I think I've learned to be mindful. I may not have taken the time to try to understand narrative techniques, let's say, with any rigor, if I did not also have to try to explain those techniques to someone else.
By the time I was six or seven-years-old, I had learned several techniques of how to use my voice and was able to choose the sound I wanted to distinguish myself, so I started writing songs on the piano.
We're able to use certain techniques to get people to behave in certain ways. We're able to use certain techniques to make it look like we're reading minds, even though we're not.
I have been asked whether I would agree that the tragedy of the scientist is that he is able to bring about great advances in our knowledge, which mankind may then proceed to use for purposes of destruction. My answer is that this is not the tragedy of the scientist; it is the tragedy of mankind.
You know, when people talk about filmmaking and the techniques of filmmaking, we use them all the time in network television news in order to make our stories simpler, tighter and more understandable to the general public.
Around 2am as I was performing misogi, I suddenly forgot all the martial techniques I had ever learned. The techniques of my teachers appeared completely new. Now they were vehicles for the cultivation of life, knowledge, and virtue, not devices to throw people with.
Even as Instagram defines our visual moment, we use the app's filters to travel backwards in time, to make our images resemble the Polaroids of yore by casting them literally in a different, more nostalgic light.
Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.
Probably Hobbes got it right when he said that a leviathan, a third party with a monopoly on the use of legitimate use of force in a territory, might be among the biggest violence reduction techniques ever invented.
The only time I had what you would call life-threatening fear was when I was on the Moon. Towards the end of our stay, we got excited and we were going to do the high jump, and I jumped and fell over backwards. That was a scary time, because if the backpack got broken, I would have had it. But everything held together.
I have learned that you're not perfect, and that sometimes the one you love can burn you. But it's just the fool that's looking backwards: a bitter heart turns the love we made to ashes.
Artists react to tragedy by doing something both as a way for us as artists to process our pain and our grief and our loss and as a way to give something back and memorialize people that are lost. That always makes it far harder to compartmentalize things. As a species, should never get used to tragedy and we should do everything we can to prevent it from happening and to celebrate people loving people. We should all be lucky enough to be loved and to love someone in return. That's what this is about.
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
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