A Quote by Herbert
I know I have patterns and I've always tried hard to avoid them. There are definitely certain things in my music, if I'm looking back, "Well, that was a period where I was experimenting with a certain kind of chord structure or a certain kind of sound." I've tried really hard, but I'd be hard pressed to tell you what that sound, what that tangible sound of "me" is.
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Clive [Davis] tried to tell me that saying certain words in a song - or as he says, 'putting some balls into it' - isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did.
I never consciously tried to conceive of what my sound should be...I never tried to imitate anybody, but when you love somebody's music, you're influenced...I really don't know how I developed my sound, but it comes from a combination of my musical conception and no doubt the basic shape of the oral cavity.
Realism as a foreign policy doctrine means basically you don't care about values; you consider them a luxury, and it leads to a kind of acquiescence in spheres of influence. Now, spheres of influence sound good if you're a graduate student, or a certain kind of - an academic with a certain habit of mind. But in fact, spheres of influence don't work out very well, certainly not for the victims, and there are always victims.
Billy Jones, positionally, is unbelievable. He's not the fastest guy but he makes up for it by being positionally sound, so I really tried to focus and absorb where he would be in certain situations and just tried to add that in my game.
A lot of times, when a band finds success with a certain style or sound, they have a really hard time breaking away from that to grow as artists.
I've always kind of known what I like and what I don't. And never felt any pressure to wear certain things or watch certain things... It's hard to explain, but I've just always felt it.
I've tried to be a better person... I've tried, and tried and tried! You know how hard I've tried! Tell me how I've tried..." "Nice try... Five cents, please!
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
I was a nervous young man. I wanted to do so many things. And I was so enthusiastic and earnestly in love with so many things that I tried too hard. I tried really, really hard. And I made a lot of mistakes. I was afraid of a lot of stuff. And I kind of feel bad for that person I was.
As a DJ, people expect a certain sound and a certain danceability for the music. As a producer, I really like to let go of any rules that may exist.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
The most important thing for the conductor is that he or she listens. Her listening will make things sound a certain way. If the conductor listens well, the musicians listen each other better. The conductor can in effect impose a certain kind of listening for everybody.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
One of the main things I look for in a guitarist is in the sound itself. I go for a certain sound, and I think it's an important thing for making a player more identifiable in the big giant pool of musicians out there. You want a sound that people will recognise just as much as your playing.
The things I see every day inspire my sound and lyrics, like certain people and situations that stick out in my mind. There are also certain musicians I love whose music and styles inspire me.
I think what's cool about Slayer is no matter how old their albums are, it's the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums, and you're like, 'OK, great music.' But Slayer, you go back, and they always sound fresh and hard as hell.
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