A Quote by Herbert

I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience. — © Herbert
I think rhythm is, when you talk about rhythmic sensibility, quite perceptive in that I like to have at least one thing that is at least common or familiar to the audience.
I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.
I think it's very important that you have at least some sort of inner thing you don't talk about. That's why I find it distasteful when all these pop stars talk about their habits.
I think people can at least appreciate the sensibility behind the position I have. It is not a pro-marijuana position. It is a common-sense position.
People always talk about the content, in terms of the politics of it or whatever social issues are in it, and it's like, "Yeah, but I'm also a good comic." You could at least talk about the form of it, and I feel like that's always the thing that's missed.
I believe rhythmic sensibility is always a product and extension of language, defined broadly, among other things. But it is an immediate product and extension - no time elapses between the exposure to language and the creation of rhythmic sensibility.
I think the way I write is kind of naturally rhythmic. If there's anything of my own in my writing, I think that's my own thing. Like when I start a song, I almost hear the rhythm more than the melody.
I mean, in the course of an evening, people will take a solo here and there, but generally it's all about the rhythm of that music. Dealing with the rhythm with everything. That's essentially at least my concept of what that group is.
If you won't talk about yourself, at least compliment the audience. Just keep turning it back around, all right. Gush.
Since strict obedience is demanded and harshly enforced, only the least talented, least articulate, least nuanced thinkers, least likely to take a stand against abuse, and the least courageous people thrive in the Church today.
The anointed don't like to talk about painful trade-offs. They like to talk about happy "solutionsthat get rid of the whole problem- at least in their imagination.
It is a common remark that men talk most who think least; just as frogs cease their quacking when a light is brought to the water-side.
It often appears that those who talk the most about going to heaven when you die talk the least about bringing heaven to earth right now, as Jesus taught us to pray: 'Your will be done on earth as it is in heaven.' At the same time, it often appears that those who talk the most about relieving suffering now talk the least about heaven when we die.
...black music is a group music. That's why I don't like doing a solo saxophone thing: My feeling stems from rhythm, I really have to feel that rhythmic thing happening.
I like to say that the one thing that all people who succeed in changing the world have in common is that they at least tried.
I think the really cool and compelling thing about math and physics is that it opens up entry to all these hypotheticals - or at least, it gives you the language to talk about them. But at the same time, if a scenario is completely disconnected from reality, it's not all that interesting.
We are led by the least among us - the least intelligent, the least noble, the least visionary.
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