A Quote by Herbert

You always come back to Duke Ellington - he's kind of like the thread that holds everything together from the big band descending to lots of jazz, actually.
My dad was a jazz fan and he used to have lots of old 78s, so I grew up with big jazz bands and the likes of Duke Ellington and Count Basie - although I really liked show tunes from those big musicals as well. I've always kept my ears open, as it were, when it comes to music. It doesn't matter to me what type of music it is. If I like it, I'll listen to it.
As for my band, well, my mentors were Duke Ellington, Benny Goodman, Jimmie Lunceford, and no one had a band more smartly dressed than Duke.
I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.
I've always thought that jazz needs to be heard by a wider audience in Puerto Rico. I want to put together a series of free concerts in the small towns - one with Miles Davis music, another with bebop, maybe Duke Ellington. I want younger people to see what is possible.
I remember the night when I was playing at Birdland, and Duke Ellington walked in wearing that cap of his and with all his elegance. The Duke then came backstage, and I was there with my band. That's the one thing I miss.
Duke Ellington's career traces the entire history of jazz. The repertoire associated with him contains the most important elements in the music and provides concrete examples of some of the best ways to present the music in the widest variety of settings-radio, TV, recordings, movies, concert halls, festivals, solo, small ensemble, big band, symphony orchestra, opera, Broadway shows.... You name it, he did it!
I especially like Duke Ellington jazz, which is a little more... I lived in New York for a while. I lived in Harlem for a bit, and I just fell in love with the idea of that era of New York, that jazz era, especially jazz in Harlem.
I keep reverting (to Duke Ellington), he to me is the greatest ever and my favorite jazz philosopher, as such.
My father was a huge jazz fan, so I remember him playing Duke Ellington, Sarah Vaughn, and Count Basie.
[I wanted] to play the clarinet well so I could be in Duke Ellington's band, but that's now impossible.
Duke Ellington, Art Tatum, and many other great jazz musicians objected to their music being called jazz. While the outside world may want to put a label on it, those who create it think of it just as music, and tend not to classify it.
Do you think Duke Ellington didn't listen to Debussy? Louis Armstrong loved opera, did you know that? Name me a jazz pianist who wasn't influenced by European music!
One interesting thing about jazz, or art in general, but jazz especially is such an individual art form in the sense that improvisation is such a big part of it, so it feels like it should be less soldiers in an army and more like free spirits melding. And yet, big band jazz has a real military side to it.
Is there one blues guy who was the most sophisticated and influential, like Duke Ellington or Louis Armstrong in jazz? Was it Muddy Waters, Little Walter, Lightnin' Hopkins, John Lee Hooker, B.B. King, Robert Johnson, or all of them? I think you have to pick all of them.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
I have a big love for jazz music. The only thing I hated about singing with a jazz band was having to wear a gown to everything.
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