A Quote by Herbert

I've heard the sound of 70 condoms being scraped over the floor at the British Museum. It feels like being an adventurer. Why would you stay in your living room if you could go out and experience things no one's ever experienced?
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
I can only speak from my own experience, and I would say that the depression I experienced feels like a chemical change. When it came over me, when it comes over me, it feels like it's coming over me like a flu.
I remember as a student going to Covent Garden, where they took out the stall seats and you hunkered down on the floor - I heard Pavarotti in Tosca there, and the experience of being in that same room with that astonishing voice has never left me.
I miss you, Eleanor. I want to be with you all the time. You’re the smartest girl I’ve ever met, and the funniest, and everything you do surprises me. And I wish I could say that those are the reasons I like you, because that would make me sound like a really evolved human being …‘But I think it’s got as much to do with your hair being red and your hands being soft … and the fact that you smell like homemade birthday cake
I remember being a little kid sitting in the living room with my brother and some friends from around the neighborhood, and I would sit at the piano and as they were running around the room doing different things and being silly, acting out, I would actually play the score for it - the music that went along with it.
In my experience, Cupid's arrows rarely strike two people with the same definition of cleanliness. One partner usually feels like he or she is being asked to live in a furniture exhibit in the British Museum. The other partner remains convinced that he or she is forced to contend with the human version of Hurricane Gilbert.
Being in a band can be really toxic to being in a relationship, considering all the touring and everything. Sometimes when you're on tour, it feels like you're living the same day over and over again.
Ayahuasca is driven by sound, by song, by whistling. And its ability to transform sound, including vocal sound, into the visual spectrum indicates that some kind of information processing membrane or boundary is being overcome by the pharmacology of this stuff. And things normally experienced as acoustically experienced becomes visibly beheld, and it's quite spectacular.
A man is like a two-story house. The first floor is equipped with an entrance and a living room. On the second floor is every family member's room. They enjoy listening to music and reading books. On the first underground floor is the ruin of people's memories. The room filled with darkness is the second underground floor.
My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room.
Just to be in the locker room with the NHL players, go out to dinner with them, hang out with them. I feel like it was an invaluable experience and kind of like going to Harvard law school, I guess, because that's the best education you could get being around guys like that.
I was in a group show at a museum in Torino, a lot of American artists installed in a floor of this museum. Another floor of the museum houses the most refined collection of arte povera in the world, which is perfectly selected and perfectly installed. I remember being struck by the contrast between the Italian works and the American. I would say the hallmarks of the Italian style are a poetical connection to nature and to materiality, materials, and exquisite taste. On contrast, the American work was essentially a bunch of bad-tempered, complaining kids.
I think most of us, as writers, have had experiences where you get edited and it doesn't feel like your voice at all. And so it's been nice to go through the experience of having a lot wind up on the cutting-room floor, and yet still feel that your voice is being - not purified, but made more yourself. I think that's a very rare thing.
I tour alone. There's no sound check, no back up. I stay with the hosts I am in a family home and it's really nourishing. I just have to remember after the show not to run out into the living room in my pyjamas. Every day, it's a new relationship being built. It's odd and wonderful.
I tour alone. There's no sound check, no back up. I stay with the hosts; I am in a family home and it's really nourishing. I just have to remember after the show not to run out into the living room in my pyjamas. Every day, it's a new relationship being built. It's odd and wonderful.
The first time I go out to Nashville, ever (at this point I had only heard the rumors about what it's like) I had three writing sessions set up. The first two canceled on me. I was kind of pissed off at that point. So I just went back to my hotel room and started writing. And even though I've been to L.A. and experienced a lot of things, at the end of the day I just start to feel like I'm playing acoustically at the first bar I ever played at.
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