A Quote by Herbert Bayer
My work seen in its totality is a statement about the integration of the contemporary artist into an industrial society.
Quote Topics
Quote Author
Related Quotes
Contemporary industrial society is now characterised more than ever by "the need for stupefying work where it is no longer a real necessity."
To be contemporary actually means to be an artist. [But] I do not feel contemporary in my work. I perceive my work as old-fashioned. It does not have a frame of actuality in our time or locality.
This is a tricky domain because, unlike simple arithmetic, to solve a calculus problem - and in particular to perform integration - you have to be smart about which integration technique should be used: integration by partial fractions, integration by parts, and so on.
Industrial Society is not merely one containing 'industry,' large-scale productive units capable of supplying man's material needs in a way which can eliminate poverty: it is also a society in which knowledge plays a part wholly different from that which it played in earlier social forms, and which indeed possesses a quite different type of knowledge. Modern science is inconceivable outside an industrial society: but modern industrial society is equally inconceivable without modern science. Roughly, science is the mode of cognition of industrial society, and industry is the ecology of science.
The genuinely significant creation, whether an idea, or a work of art, or a scientific discovery, is most likely to be seen at first as erroneous, bad, or foolish. Later it may be seen as obvious, something self-evident to all. Only still later does it receive its final evaluation as a creative contribution. It seems clear no contemporary mortal can satisfactorily evaluate a creative product at the time it is formed, and this statement is increasingly true the greater the novelty of the creation.
By virtue of the way it has organized its technological base, contemporary industrial society tends to be totalitarian. For "totalitarian" is not only a terroristic political coordination of society, but also a non-terroristic economic-technical coordination which operates through the manipulation of needs by vested interests.
Integrating in the society is a fundamental scriptural Christian trait. This integration is a must - moderate constructive integration. All of us, as Egyptians, have to participate.
Latin America is convinced that, starting with South America, our way forward is to consolidate the process of integration: not theoretical integration - the integration of speeches - but physical integration, with infrastructure, with roads, with railways, with communications, with energy.
Continuous Integration is a software development practice where members of a team integrate their work frequently, usually each person integrates at least daily - leading to multiple integrations per day. Each integration is verified by an automated build (including test) to detect integration errors as quickly as possible. Many teams find that this approach leads to significantly reduced integration problems and allows a team to develop cohesive software more rapidly.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
The artist is one who makes a concentrated statement about the world in which he lives and that statement tends to become impersonal-it tends to become universal and enduring because it comes out of something very particular.
Our society and our organizations have learned to value masculine, 'quick-fix' traits in leaders. In a primitive society, a rural society, or even the industrial society of the early 1990s, quick fixes worked out all right. But they are less likely to work in a complex society. We need to look at long-range outcomes now. Service and patience are what can keep things running effectively today and women can contribute a lot in both of these areas.
The great thing about being an artist is, we want our work to be seen.
When we look at a painting, listen to a piece of music, read a novel, or watch a movie we are taking in the artist's composition. The composition is the totality of the work.
I think one of the reasons I've done so much period work is because I feel so depressed by how society chooses to represent women in contemporary work.
Every artist is in everything he creates, and indeed if the truth is told, every person is in his life, in his work, whatever his work may be, and this is visible in his face, figure, stance, movement, and totality.
Related Authors
Alexey Brodovitch Quotes
American
Graphic Designer
April Greiman Quotes
American
Graphic Designer
Bob Gill Quotes
American
Graphic Designer
Emil Ruder Quotes
Swiss
Graphic Designer
Erik Spiekermann Quotes
German
Graphic Designer
Jessica Walsh Quotes
American
Graphic Designer
Lester Beall Quotes
American
Graphic Designer
Neville Brody Quotes
English
Graphic Designer
Paula Scher Quotes
American
Graphic Designer
R. J. Palacio Quotes
American
Graphic Designer
Susan Schneider Quotes
American
Graphic Designer
Wim Crouwel Quotes
Dutch
Graphic Designer
Zuzana Licko Quotes
American
Graphic Designer