A Quote by Herbert Butterfield
It has been said that the historian is the avenger, and that standing as a judge between the parties and rivalries and causes of bygone generations he can lift up the fallen and beat down the proud, and by his exposures and his verdicts, his satire and his moral indignation, can punish unrighteousness, avenge the injured or reward the innocent.
Related Quotes
We are in the society of the teacher-judge, the doctor-judge, the educator-judge, the 'social-worker'-judge; it is on them that the universal reign of the normative is based; and each individual, wherever he may find himself, subjects to it his body, his gestures, his behavior, his aptitudes, his achievements.
To judge sins is the business of one who is sinless, but who is sinless except God? Who ever thinks about the multitude of his own sins in his heart never wants to make the sins of others a topic of conversation. To judge a man who has gone astray is a sign of pride, and God resists the proud. On the other hand, one who every hour prepares himself to give answer for his own sins will not quickly lift up his head to examine the mistakes of others.
Man's main task in life is to give birth to himself, to become what he potentially is. The most important product of his effort is his own personality. One can judge objectively to what extent a person has succeeded in his task, to what degree he has realized his potentialities. If he has failed in his task, one can recognize this failure and judge it for what it is - a moral failure.
If Bob Dylan really is an historian in and of himself in his work, in his performances, he is also an historian with a unique sense of humor. There's always been a bit of a stand-up comic in him.
No man is allowed to be a judge in his own cause; because his interest would certainly bias his judgment, and, not improbably, corrupt his integrity. With equal, nay with greater reason, a body of men are unfit to be both judges and parties at the same time.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
If an historian were to relate truthfully all the crimes, weaknesses, and disorders of mankind, his readers would take his work for satire rather than for history.
Why can't a man stand alone? Must he be burdened by all that he's taught to consider his own? His skin and his station, his kin and his crown, his flag and his nation They just weigh him down
Man was made to lead with his chin; he is worth knowing only with his guard down, his head up and his heart rampant on his sleeve.
If you want to be a proud person, then you want to avenge your loss. For me it was [Josean] Serra and [Joe] Hughes, and for Michael Bisping, Henderson is one of his losses - one of his most painful losses. So I understand why he wants to avenge it. As an athlete I understand.
What’s that poem again?” Will, who had been twirling his empty teacup around his fingers, stood up straight and declaimed: “Each spake words of high disdain, And insult to his heart’s best brother—” “Oh, by the Angel, Will, do be quiet,” said Charlotte, standing up. “I must go and write a letter to Aloysius Starkweather that drips remorse and pleading. I don’t need you distracting me.” And, gathering up her skirts, she hurried from the room. “No appreciation for the arts,” Will murmured, setting his teacup down.
Grief fills the room up of my absent child, Lies in his bed, walks up and down with me, Puts on his pretty look, repeats his words, Remembers me of his gracious parts, Stuffs out his vacant garments with his form
My day-old son is plenty scrawny, his mouth is wide with screams, or yawny; His ears seem larger than he's needing, His nose is flat, his chin's receding. His skin is very, very red, He has no hair upon his head, And yet I'm proud as proud can be, To hear you say he looks like me.
Miraculously, smoke curled out of his own mouth, his nose, his ears, his eyes, as if his soul had been extinguished within his lungs at the very moment the sweet pumpkin gave up its incensed ghost.
The terrors of the child are quite reasonable, and add to his loveliness; for his utter ignorance and weakness, and his enchanting indignation on such a small basis of capital compel every bystander to take his part.
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