A Quote by Herbert Spencer

Surely in much talk there cannot choose but be much vanity. Loquacity is the fistula of the mind,--ever-running and almost incurable, let every man, therefore, be a Phocion or Pythagorean, to speak briefly to the point or not at all; let him labor like them of Crete, to show more wit in his discourse than words, and not to pour out of his mouth a flood of the one, when he can hardly wring out of his brains a drop of the other.
Hardly ever can a youth transferred to the society of his betters unlearn the nasality and other vices of speech bred in him by the associations of his growing years. Hardly ever, indeed, no matter how much money there be in his pocket, can he ever learn to dress like a gentleman-born. The merchants offer their wares as eagerly to him as to the veriest swell, but he simply cannot buy the right things.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
These books have not made George nobler or better or more truly wise. It is just that he likes listening to their voices, the one or the other, acording to his mood. He misuses them quite ruthlessly - despite the respectful way he has to talk about them in public - to put him to bed, to take his mind off the hands of the clock, to relax the nagging of his pyloric spasm, to gossip him out of his melancholy, to trigger the conditioned reflexes of his colon.
A man cannot speak but he judges himself. With his will or against his will he draws his portrait to the eye of his companions by every word. Every opinion reacts on him who utters it. It is a threadball thrown at a mark, but the other end remains on the thrower
Everyone knows that Theodore Roosevelt was able to wring so much life out of each day, every hour, every minute. And yet, when one is immersed in a detailed, retrospective review of his life, his intense living, his vigor di vita, is nonetheless breathtaking.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring: gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth.
Had Allah lifted the veil for his slave and shown him how He handles his affairs for him, and how Allah is more keen for the benefit of the slave than his own self, his heart would have melted out of the love for Allah and would have been torn to pieces out of thankfulness to Allah. Therefore if the pains of this world tire you, do not grieve. For it may be that Allah wishes to hear your voice by way of Dua'a. So pour out your desires in prostration and forget about it and know; that verily Allah does not forget it.
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
The people shall further be graded according to wealth, and—humorous touch this—the more obviously a man labor, the more stinting shall be his reward; the more he work in the out-of-doors, the thinner his clothing shall be; the more his labor filthy him, the less water shall he have to wash
We speak much of God, can talk of him, his ways, his works, his counsels, all the day long; the truth is, we know very little of him.
Yes, you should talk," he said. "Sometimes a sad man can talk the sadness right out through his mouth. Sometimes a killin' man can talk the murder right out of his mouth.
The evil of the actual disparity in their ages (and Mr. Woodhouse had not married early) was much increased by his constitution and habits; for having been a valetudinarian all his life, without activity of mind or body, he was a much older man in ways than in years; and though everywhere beloved for the friendliness of his heart and his amiable temper, his talents could not have recommended him at any time.
So, the gods don't hand out all their gifts at once, not build and brains and flowing speech to all. One man may fail to impress us with his looks but a god can crown his words with beauty, charm, and men look on with delight when he speaks out. Never faltering, filled with winning self-control, he shines forth at assembly grounds and people gaze at him like a god when he walks through the streets. Another man may look like a deathless one on high but there's not a bit of grace to crown his words. Just like you, my fine, handsome friend.
'Tis the maddest trick a man can ever play in his whole life, to let his breath sneak out of his body without any more ado, and without so much as a rap o'er the pate, or a kick of the guts; to go out like the snuff of a farthing candle, and die merely of the mulligrubs, or the sullens.
He who has talent in him must be purer in soul than anyone else. Another will be forgiven much, but to him it will not be forgiven. A man who leaves the house in bright, festive clothes needs only one drop of mud splashed from under a wheel, and people all surround him, point their fingers at him, and talk about his slovenliness, while the same people ignore many spots on other passers-by who are wearing everyday clothes. For on everyday clothes the spots do not show.
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