A Quote by Herbie Hancock
I don't think there are any pure Africans of the African Americans, but the African part of our history was pretty much taken away from us during slavery, so the 60s gave us a chance, because of the civil rights movement, to kind of re-examine and make some sort of formal connection to our African-ness.
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There has been a struggle to reclaim the African self. That struggle has been on the part of a minority of dedicated African-Americans who never gave up our African identity at no time during our stay here.
When African-Americans come to France, the French show them more consideration than they would show an African or a Black Caribbean. When African-Americans come to France, the French people are like, 'Oh, wow. Oh my God.' But if it's an African, they're like, 'Whatever.' It's all because of the past, because of our history.
I think young people don't really know that much about the Civil Rights Movement and about the history of African Americans in this country. It's not taught enough in school.
When we play at the World Cup, any African will back any African team. Because we want to hear the different approach to African football. We want to hear that Africans can do well, and Africans do well.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
There's a history of enslaved African-Americans having to make their slave masters comfortable. This business of what we call skinning and grinning - that is something African-Americans are very much cognizant of.
All people of African descent, whether they live in North or South America, the Caribbean, or in any part of the world are Africans and belong to the African nation.
We have inherited a fear of memories of slavery. It is as if to remember and acknowledge slavery would amount to our being consumed by it. As a matter of fact, in the popular black imagination, it is easier for us to construct ourselves as children of Africa, as the sons and daughters of kings and queens, and thereby ignore the Middle Passage and centuries of enforced servitude in the Americas. Although some of us might indeed be the descendants of African royalty, most of us are probably descendants of their subjects, the daughters and sons of African peasants or workers.
We examine and highlight the history of the African descendants in America, and know that each and every one of us has come this far because of our faith in this country.
I can't deny that it will be a historic event for an African-American to become president. And should that happen, all Americans should be proud - not just African-Americans, but all Americans - that we have reached this point in our national history where such a thing could happen. It will also not only electrify our country, I think it'll electrify the world.
Everything African-Americans - every freedom they have obtained - came from Republicans, not Democrats. All the way back to the Emancipation Proclamation, to the Civil Rights movement. Civil Rights legislation was passed by a Republican Congress.
The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum - because of slavery.
I just want to make sure that I'm taking roles that are positive, real, honest reflections of African-Americans because I do think the media can put African-American women in the background. Then, unfortunately, what happens is, subconsciously, our culture begins to assess that as reality.
Many White people are not sensitive to the kind of abuse that African Americans, especially younger African Americans, receive at the hands of police officers and police departments. I think for most Whites their experience with the police has been good or neutral because they don't interact with the police as much as those in the Black community.
When it comes to African Americans and African American actors, Hollywood has always felt that if you can make us laugh, that's fine, but we don't need to see you do a 'Schindler's List,' where there's no jokes or music or comedic through-line.
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