A Quote by Herbie Hancock

A jazz musician is not a jazz musician when he or she is eating dinner or when he or she is with his parents or spouse or neighbors. He's above all a human being . . . the true artform is being a human being.
I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.
I'm not a jazz artist. Don't get me wrong now, it's all music to me. I just played music and if it's likeable, someone liked the sound, then fine, but I'm not interested in being a jazz musician. I don't consider myself a jazz musician. I don't have anything to do with that word.
I already experimented with free jazz in the 1960s and, in my opinion, to play free jazz, you have to be a perfect musician and a perfect human being - and none of us are!
Being jazz-trained, things happen spontaneously. Even though it's funk rock, we still have the instincts of a jazz musician.
I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
Octavia Spencer rocks. But just as a human being, she's so down-to-earth. Talk about being pleasantly surprised. You walk onto set, and she's making these jokes, and she's playing around with the cast and the crew, and she invited all to her house for a dinner party. She's just a genuinely good person.
My short answer would be that there is no greatest jazz musician of the century. Jazz, like any valid art form, finds its greatness in its expression of the human spirit, and, to me, this can’t be reduced to a contest.
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
Well, being a jazz musician is not a rose garden!
Jazz is a music that really allows a person to express his deepest self, his most personal self - Africa being the primary source of jazz. Naturally, improvisation and swing are a part of jazz, improvisation being the key.
I suppose you all grant that woman is a human being. If she has a right to life she has a right to earn a support for that life. If a human being, she has a right to have her powers and faculties as a human being developed. If developed, she has a right to exercise them.
I have no illusions about being a genius musician. I pride myself on being a soldier, a warrior for jazz. I trained a lot of young people, and I've learned my lessons well. I'd like to keep the flame burning.
Every single human being is a unique human being. And, therefore, it's so criminal to do something to that human being, because he or she represents humanity.
My father is a jazz musician, so I grew up hearing jazz. My parents loved it, but I didn't like it. It went on for too long. Yes, I had certain teachers that really inspired me, like Danny Barker, and John Longo. And I had no idea that I would have any impact on jazz.
I don't think I've ever been true to jazz. There's always a kind of jazz element to what I do. There are a very few genres that I haven't tried out, really, in what I've been doing. As a jazz musician, you can kind of mess about with things with a certain level of musicianship, which helps.
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