A Quote by Herbie Hancock
I'm aware that a lot of what is happening in jazz has not had a very dynamic change in a long time.
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There is a lot of talent and a lot of good things happening and coming from Molenbeek, but unfortunately, it has had to deal with a very, very long time of being ignored, really, and it was very easy, even in the neighbourhood where I grew up, to just fall off the grid, and nobody would notice it.
When you're in a relationship, the dynamic seems to change over time. I only had two long-term girlfriends, but with both of them, as time went on, the sex tapered off in terms of frequency. We had sex less and less often. And talking with friends or whatever, hearing other people's stories, that seems to be the case with a lot of romantic relationships.
The external reality and inner dynamic of happenings in Northern Ireland between 1968 and 1974 were symptomatic of change, violent change admittedly, but change nevertheless, and for the minority living there, change had been long overdue.
I have a difficult relationship with jazz. My parents really love it, and I went to a school where jazz was considered the best thing ever, so I had to leave it be for a long time. But now I'm rediscovering it. I'm approaching jazz in a different way.
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.
A lot of people write in to me and say that they feel like The Uni-verse has abandoned them. Now, that is a very interesting story. There are some times where we are meant to be lost or confused. I had a long period in my life that felt like a holding pattern - it felt like stasis. But what was happening during that time was I was getting stronger on the inside. And that is change you can't SEE right away.
When I was 13, I used to go to a jazz club. The owner of the club became my first business manager. She was very gutsy and had a lot of friends, one of whom happened to be the head of jazz at Columbia at the time. That's how it all began.
Awareness is very, very important because we're living in a world which is literally shrinking by the day. We are global citizens. So, for us not to be aware of what's happening to our neighbor is almost sad. Once you're aware, then you can decide what cause you want to dedicate your time to.
At this time the fashion is to bring something to jazz that I reject. They speak of freedom. But one has no right, under pretext of freeing yourself, to be illogical and incoherent by getting rid of structure and simply piling a lot of notes one on top of the other. There's no beat anymore. You can't keep time with your foot. I believe that what is happening to jazz with people like Ornette Coleman, for instance, is bad. There's a new idea that consists in destroying everything and find what's shocking and unexpected; whereas jazz must first of all tell a story that anyone can understand.
If my goal is to change Colombia, which it is because I really think Columbia has to change in many, many ways - I think it has to be a very profound, nearly spiritual maturing process in the Colombian society because I think you have to first be aware of what's happening and it's not easy because many people don't want to see what's happening.
I worked in a band a long time. As we got older, we became more aware of soul and jazz.
There was a period which I refer to as the 'Golden Age of Jazz,' which sort of encompasses the middle Thirties through the Sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time.
My father is a jazz musician, so I grew up hearing jazz. My parents loved it, but I didn't like it. It went on for too long. Yes, I had certain teachers that really inspired me, like Danny Barker, and John Longo. And I had no idea that I would have any impact on jazz.
At the same time the folk boom was happening, the civil rights movement was happening, the anti-war movement was happening, the ban the bomb movement was happening, the environmental movement was happening. There was suddenly a generation ready to change the course of history.
I'm an actor, so sometimes there are moments where I think about everything that's happening and I want to cry. I'm doing what I love and I will be doing it for a very, very long time - and it's amazing. A lot of people don't get to do that.
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