A Quote by Herbie Mann
Let's say you have some chicken stock and you're making soup, and out of everything you can taste, some of the things you put in and some of the things you don't. So you start out with an African spice then you hear some Brazilian music, so then it changes. Then you hear Jamaican and it changes again. And the result depends on how much of each spice you put into it. Now, I've been putting in spices since I started playing professionally in 1945.
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You put some things out there. Some work, some don't, and then one really takes off, and that pays for your failures. Then you go on to the next one.
I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
When you get busy, the priorities change. In your twenties, you hang out with who you were in school with. Then you grow up and you hang out with the people you're playing ball with, things you like doing with. When you get married, it changes a bit and you lose some friends, or you gain other friends. You gain couple-y friends. It changes again when you have children, and then when your children are the focus of your life.
There are two things I wear. One is a Curvation undergarment over my whole body, and then maybe I'll also put on some Spanx. They're so great. They have a way of smoothing everything out, and then you can just put on whatever you want. It accents you and makes you feel pretty.
You know so many documentaries now are very carefully scripted before you start, and then people are sort of put in chairs which are beautifully lit, and they tell their stories and you do that with another 10 people and you then construct a story from what they say. You do a sort of paper thing, and then you put some images in-between, and that's your film. And that's so not what I think is a good documentary. It can be so much more than that, it should be much more of an adventure and much more uncertain... like real things are.
en you show up to work and put on your undergarments, throw on your suspenders and your cowboy boots, throw some dirt on you, and then get on your spurs, you start to walk a bit different. When you put on your gun belts, you change again. You go through this whole transformation process. All that stuff changes you. Riding a horse changes the way you walk and your demeanor.
We deliberately used elements from Brazilian music and from African and Asian music. Now people can hear that but then it sounded so abstract, they couldn't hear it.
Everybody goes to the funeral, but everybody laughs when it's funny. While entertainment is happening, that's just what it is, entertainment - until it crosses over into a whole 'nother situation. And now, me maturing, I look back at a lot of things, pushing forward, some things won't get my attention. Some things don't deserve my energy. I won't put forth so much on things, you got to focus on what's the matter at hand. That's to put out timeless music, and great albums.
I just looked in to stuff to do to keep me occupied. Alright, I'm gonna start dieting. I'm gonna start working out more. So then I started to lose weight, and then I started to see some results, and I started to drop some weight.
I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating you and exposing you to things you would never hear otherwise.
I think what Mr. Trump has is this - he has experiences. He has put more things together in businesses around the United States, around the world. And he's had some things that didn't go exactly right. He's been able to find a way to resurrect those things. He's been able to make some changes.
S Club 7, in some ways, was a continuation of some of the things I'd have liked to have done with the Spice Girls. It was also a shift in tone. S Club was this equality of boys and girls, very positive, very uplifting, didn't have the edge of the Spice Girls. I didn't want to repeat it.
Some songs started from a bass line, some started from having the full lyric and Jim, my drummer, who's also the first guy I've been in the studio with him since 16, sometimes he'd have an idea and I'd put a lyric to it and then the track evolves, there's no set way to write a song.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
She said she’d often wondered why she wanted to do some things and not do other things at all. Well, it was obvious with some things, but for others, there was no reason there. She’d spent a long time puzzling it out, then she thought that what you’d done in a past life you didn’t need to do again, and what you had to do in the future, you wouldn’t be ready to do now.
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
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