A Quote by Herbie Mann
If you're in jazz and more than ten people like you, you're labeled commercial.
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
The creative life of the commercial photographer is like the life of a butterfly. Very seldom do we see a photographer who is really productive for more than eight or ten years.
I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
Ten people who speak make more noise than ten thousand who are silent.
I always felt, rather than play by the mainstream standards, we've always done what we do and the mainstream has finally decided to, like that but, we've only gotten more extreme so, the band hasn't got more commercial, it's just that more people understand where we're coming from so more people are in to it.
I have seen God do more in people's lives during ten minutes of real prayer than in ten of my sermons.
I'd like ten more babies and ten more chihuahuas and a few Academy Awards. Meanwhile, I enjoy being a sex symbol and making people happy.
Jazz is more raw than punk in a lot of ways. It's so expressive. A lot of people say to me, especially older people, 'It took me ages to get into jazz.'
It's a shame that jazz is now being turned into dried fruit. It's becoming quantized, diced and defined. It's becoming an idiom. To me if it's anything, jazz is a verb ? it's more like a process than it is a thing.
Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
I don't know how much more what I've done is any more important than what Ella Fitzgerald did. Ella crossed those lines, as did George Benson before me. There've been lots of people who brought a pop audience to jazz because they were able to link the two and give people easy access to the world of jazz.
I used to be a jazz snob, believe it or not. I sort of turned my nose up at anything more commercial.
Jazz shouldn't have any mandates. Jazz is not supposed to be something that's required to sound like jazz. For me, the word 'jazz' means, 'I dare you.'
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
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